Digitalisation and intermediaries in the Music Industry

The rise of the entrepreneur?

Morten Hviid, Sofia Izquierdo Sanchez, Sabine Jacques

Research output: Contribution to journalArticle

Abstract

Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of creators (composers, lyricists and musicians)supplying creative expressions to a small number of larger record labels and publishers. These funded, produced, and marketed the resulting recorded music to subsequently sodl these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with ‘self-publishing’ by creators, will lead to the demise of powerful firms in the record label segment. If so, this would shift market power from the record label and publisher segment to the retail segment (and new intermediaries such as ISPs), rather than increasing the number of segments with market power.
Original languageEnglish
Pages (from-to)242-276
Number of pages35
JournalSCRIPTed: Journal of Law, Technology & Society
Volume15
Issue number2
Publication statusPublished - Oct 2018

Fingerprint

music
entrepreneur
industry
market
marginalization

Cite this

@article{a2bfa383e88f4d718e3788d5b0f8a068,
title = "Digitalisation and intermediaries in the Music Industry: The rise of the entrepreneur?",
abstract = "Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of creators (composers, lyricists and musicians)supplying creative expressions to a small number of larger record labels and publishers. These funded, produced, and marketed the resulting recorded music to subsequently sodl these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with ‘self-publishing’ by creators, will lead to the demise of powerful firms in the record label segment. If so, this would shift market power from the record label and publisher segment to the retail segment (and new intermediaries such as ISPs), rather than increasing the number of segments with market power.",
keywords = "Copyright, Music industry, Retailers, Self-publishing",
author = "Morten Hviid and {Izquierdo Sanchez}, Sofia and Sabine Jacques",
year = "2018",
month = "10",
language = "English",
volume = "15",
pages = "242--276",
journal = "SCRIPTed: Journal of Law, Technology & Society",
issn = "1744-2567",
publisher = "The University of Edinburgh",
number = "2",

}

Digitalisation and intermediaries in the Music Industry : The rise of the entrepreneur? / Hviid, Morten; Izquierdo Sanchez, Sofia; Jacques, Sabine.

In: SCRIPTed: Journal of Law, Technology & Society, Vol. 15, No. 2, 10.2018, p. 242-276.

Research output: Contribution to journalArticle

TY - JOUR

T1 - Digitalisation and intermediaries in the Music Industry

T2 - The rise of the entrepreneur?

AU - Hviid, Morten

AU - Izquierdo Sanchez, Sofia

AU - Jacques, Sabine

PY - 2018/10

Y1 - 2018/10

N2 - Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of creators (composers, lyricists and musicians)supplying creative expressions to a small number of larger record labels and publishers. These funded, produced, and marketed the resulting recorded music to subsequently sodl these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with ‘self-publishing’ by creators, will lead to the demise of powerful firms in the record label segment. If so, this would shift market power from the record label and publisher segment to the retail segment (and new intermediaries such as ISPs), rather than increasing the number of segments with market power.

AB - Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of creators (composers, lyricists and musicians)supplying creative expressions to a small number of larger record labels and publishers. These funded, produced, and marketed the resulting recorded music to subsequently sodl these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with ‘self-publishing’ by creators, will lead to the demise of powerful firms in the record label segment. If so, this would shift market power from the record label and publisher segment to the retail segment (and new intermediaries such as ISPs), rather than increasing the number of segments with market power.

KW - Copyright

KW - Music industry

KW - Retailers

KW - Self-publishing

M3 - Article

VL - 15

SP - 242

EP - 276

JO - SCRIPTed: Journal of Law, Technology & Society

JF - SCRIPTed: Journal of Law, Technology & Society

SN - 1744-2567

IS - 2

ER -