El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)

Igor Contreras-Zubillaga

El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)

Translated title of the contribution: The echo of the battles: music and war on the national side during the Spanish Civil War (1936-1939)

Igor Contreras-Zubillaga

Research output: Contribution to journal › Article › peer-review

Abstract

This article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de España and Conrado del Campo’s Ofrenda a los Caídos. Through these three examples, we will try to outline a typology of patriotic music with an undeniable pro-Franco stamp. This perspective fits into a broader discussion on the artistic production under contexts of war, traditionally considered, until quite recently, as a parenthesis, specially regarding the field of music.

Translated title of the contribution	The echo of the battles: music and war on the national side during the Spanish Civil War (1936-1939)
Original language	Spanish
Journal	Amnis. Revue de civilisation contemporaine Europes/Amériques
Issue number	10
Publication status	Published - 1 Apr 2011
Externally published	Yes

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http://journals.openedition.org/amnis/1195Licence: CC BY-NC-ND

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AB - This article, based on several unpublished archive sources, analyzes three works composed during the Spanish Civil War, closely related to the nationalist faction, whose theme revolves precisely around the war: Nemesio Otaño’s anthem ¡Franco!, ¡Franco!, Ernesto Halffter’s Amanecer en los jardines de España and Conrado del Campo’s Ofrenda a los Caídos. Through these three examples, we will try to outline a typology of patriotic music with an undeniable pro-Franco stamp. This perspective fits into a broader discussion on the artistic production under contexts of war, traditionally considered, until quite recently, as a parenthesis, specially regarding the field of music.

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El eco de las batallas: música y guerra en el bando nacional durante la contienda civil española (1936-1939)

Abstract

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