Evaluation of a perceptually based model of 'Punch' with music material

Steven Fenton; Hyunkook Lee; Jonathan Wakefield

Evaluation of a perceptually based model of 'Punch' with music material

Steven Fenton, Hyunkook Lee, Jonathan Wakefield

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

This paper evaluates a perceptually motivated objective model for the measurement of 'punch' in musical signals. Punch is a perceptual attribute that is often used to characterise music that conveys a sense of dynamic power or weight. A methodology is employed that combines signal separation, onset detection and low level parameter measurement to produce a perceptually weighted 'punch' score. The model is evaluated against subjective scores derived through a forced pairwise comparison listening test using a wide variety of musical stimuli. The model output indicates a high degree of correlation with the subjective scores. Correlation results are also compared to other objective models such as Crest Factor, Inter-Band-Ratio (IBR), Peak-To-Loudness Ratio (PLR) and Loudness Dynamic Range (LDR).

Original language	English
Title of host publication	141st Audio Engineering Society International Convention 2016, AES 2016
Publisher	Audio Engineering Society
Publication status	Published - 20 Sep 2016
Event	141st Audio Engineering Society International Convention - Los Angeles, United States Duration: 29 Sep 2016 → 2 Oct 2016 Conference number: 141 http://www.aes.org/events/141/ (Link to Conference Website)

Conference

Conference	141st Audio Engineering Society International Convention
Abbreviated title	AES 2016
Country/Territory	United States
City	Los Angeles
Period	29/09/16 → 2/10/16
Internet address	http://www.aes.org/events/141/ (Link to Conference Website)

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http://www.aes.org/e-lib/browse.cfm?elib=18442

Cite this

@inproceedings{d4754729ad9e4e86be6025d11b82b68f,

title = "Evaluation of a perceptually based model of 'Punch' with music material",

abstract = "This paper evaluates a perceptually motivated objective model for the measurement of 'punch' in musical signals. Punch is a perceptual attribute that is often used to characterise music that conveys a sense of dynamic power or weight. A methodology is employed that combines signal separation, onset detection and low level parameter measurement to produce a perceptually weighted 'punch' score. The model is evaluated against subjective scores derived through a forced pairwise comparison listening test using a wide variety of musical stimuli. The model output indicates a high degree of correlation with the subjective scores. Correlation results are also compared to other objective models such as Crest Factor, Inter-Band-Ratio (IBR), Peak-To-Loudness Ratio (PLR) and Loudness Dynamic Range (LDR).",

author = "Steven Fenton and Hyunkook Lee and Jonathan Wakefield",

note = "No full text in Eprints. Cannot find ISBN or ISSN. HN 25/10/2017; 141st Audio Engineering Society International Convention, AES 2016 ; Conference date: 29-09-2016 Through 02-10-2016",

year = "2016",

month = sep,

day = "20",

language = "English",

booktitle = "141st Audio Engineering Society International Convention 2016, AES 2016",

publisher = "Audio Engineering Society",

address = "United States",

url = "http://www.aes.org/events/141/",

}

Fenton, S , Lee, H & Wakefield, J 2016, Evaluation of a perceptually based model of 'Punch' with music material. in 141st Audio Engineering Society International Convention 2016, AES 2016. Audio Engineering Society, 141st Audio Engineering Society International Convention, Los Angeles, California, United States, 29/09/16. <http://www.aes.org/e-lib/browse.cfm?elib=18442>

TY - GEN

T1 - Evaluation of a perceptually based model of 'Punch' with music material

AU - Fenton, Steven

AU - Lee, Hyunkook

AU - Wakefield, Jonathan

N1 - Conference code: 141

PY - 2016/9/20

Y1 - 2016/9/20

N2 - This paper evaluates a perceptually motivated objective model for the measurement of 'punch' in musical signals. Punch is a perceptual attribute that is often used to characterise music that conveys a sense of dynamic power or weight. A methodology is employed that combines signal separation, onset detection and low level parameter measurement to produce a perceptually weighted 'punch' score. The model is evaluated against subjective scores derived through a forced pairwise comparison listening test using a wide variety of musical stimuli. The model output indicates a high degree of correlation with the subjective scores. Correlation results are also compared to other objective models such as Crest Factor, Inter-Band-Ratio (IBR), Peak-To-Loudness Ratio (PLR) and Loudness Dynamic Range (LDR).

AB - This paper evaluates a perceptually motivated objective model for the measurement of 'punch' in musical signals. Punch is a perceptual attribute that is often used to characterise music that conveys a sense of dynamic power or weight. A methodology is employed that combines signal separation, onset detection and low level parameter measurement to produce a perceptually weighted 'punch' score. The model is evaluated against subjective scores derived through a forced pairwise comparison listening test using a wide variety of musical stimuli. The model output indicates a high degree of correlation with the subjective scores. Correlation results are also compared to other objective models such as Crest Factor, Inter-Band-Ratio (IBR), Peak-To-Loudness Ratio (PLR) and Loudness Dynamic Range (LDR).

UR - http://www.scopus.com/inward/record.url?scp=85010733406&partnerID=8YFLogxK

M3 - Conference contribution

AN - SCOPUS:85010733406

BT - 141st Audio Engineering Society International Convention 2016, AES 2016

PB - Audio Engineering Society

T2 - 141st Audio Engineering Society International Convention

Y2 - 29 September 2016 through 2 October 2016

ER -

Evaluation of a perceptually based model of 'Punch' with music material

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