Abstract
Everything was Beautiful and Nothing Hurt is a trilogy of video art installations that puts audience experience as paramount. Through precise and considerate techniques in video, audio and projection; the work aims to arouse a sublime intervention between itself and its participants. With material being gathered from both Asia and Europe, the process has included discourse and consultation with Tibetan Buddhist monks, Anglican Church Leaders, chamber choirs, engineers, neuroscientists, theoretical cosmologists, quantum physicists, string quartets, and aerial acrobats.
| Original language | English |
|---|---|
| Place of Publication | Newcastle |
| Media of output | Film |
| Publication status | Published - 20 May 2016 |
| Externally published | Yes |
| Event | Everything was Beautiful and Nothing Hurt - Globe Gallery, Newcastle upon Tyne, United Kingdom Duration: 23 Oct 2015 → 20 May 2016 https://www.globegallery.org/gareth-hudson |
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Dive into the research topics of 'Everything was Beautiful and Nothing Hurt'. Together they form a unique fingerprint.Profiles
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Death destroys a man, but the idea of death saves him: Affect in spaces devoted to reflecting on our own mortality
Hudson, G., 3 Sept 2020, p. 32-33. 2 p.Research output: Contribution to conference types › Abstract
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Work I
Hudson, G. (Artist) & Thirling, T. (Artist), 1 Oct 2015Research output: Non-textual form › Artefact
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Work II
Hudson, G. (Artist) & Begg, P. (Composer), 1 Oct 2015Research output: Non-textual form › Artefact
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Work III
Hudson, G. (Artist) & Begg, P. (Composer), 1 Oct 2015Research output: Non-textual form › Artefact
Press/Media
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The mesmerising Newcastle art work that has had people in tears
5/12/15
1 Media contribution
Press/Media: Research
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