Abstract
This paper presents the first stage in the design and evaluation of a novel container metaphor interface for equalisation control. The prototype system harnesses the Pepper’s Ghost illusion to project mid-air a holographic data visualisation of an audio track’s long-term average and real-time frequency content as a deformable shape manipulated directly via hand gestures. The system uses HTML 5, JavaScript and the Web Audio API in conjunction with a Leap Motion controller and bespoke low budget projection system. During subjective evaluation users commented that the novel system was simpler and more intuitive to use than commercially established equalisation interface paradigms and most suited to creative, expressive and explorative equalisation tasks.
Original language | English |
---|---|
Title of host publication | 19th International conference on New Interfaces for Musical Expression, NIME 2019 |
Editors | M. Queiroz, S. Anna Xambó |
Pages | 128-129 |
Number of pages | 2 |
DOIs | |
Publication status | Published - 1 Jun 2019 |
Event | 19th International conference on New Interfaces for Musical Expression - Porto Alegre, Brazil Duration: 3 Jun 2019 → 6 Jun 2019 https://www.nime.org/ |
Publication series
Name | Proceedings of the conference on New Interface for Musical Expression (NIME) |
---|---|
Publisher | NIME |
ISSN (Print) | 2220-4792 |
Conference
Conference | 19th International conference on New Interfaces for Musical Expression |
---|---|
Abbreviated title | NIME2019 |
Country/Territory | Brazil |
City | Porto Alegre |
Period | 3/06/19 → 6/06/19 |
Internet address |
Fingerprint
Dive into the research topics of 'Exploring the Container Metaphor for Equalisation Manipulation'. Together they form a unique fingerprint.Profiles
-
Christopher Dewey
- Department of Computer Science - Senior Lecturer in Music Technology
- Centre for Audio and Psychoacoustic Engineering - Member
Person: Academic