@inbook{27b107cf453246a7894c72ec8d17efeb,
title = "Exploring the history of distortion in drum and bass",
abstract = "There exists a generous amount of academic literature pertaining to Drum and Bass research yet very little of it concerns itself with the production methods – the small amount that does exist is mostly informal and anecdotal. This chapter takes us back to 1995 to explore the introduction of non-linear distortion as an effect and by doing so, we discover how an experimental approach abusing the available technology helped shape the genre and cement the use of distortion as a key element of the genre's aesthetic for years to come.",
keywords = "Distortion, Drum and bass, Non-linear distortion",
author = "Austin Moore and Leigh Shields and Christopher Dewey",
year = "2024",
month = mar,
day = "27",
doi = "10.4324/9781003462101-6",
language = "English",
isbn = "9781032611167",
series = "Perspectives on Music Production",
publisher = "Routledge",
pages = "75--89",
editor = "Jan-Olof Gull{\"o} and Russ Hepworth-Sawyer and Justin Paterson and Rob Toulson and Mark Marrington",
booktitle = "Innovation in Music",
address = "United Kingdom",
edition = "1st",
}