Research output per year
Research output per year
Abstract
This article examines two movements of Christian Wolff’s Pianist: Pieces (2001) to illustrate how in this work the physiology of the pianist’s hands limit and shape the music both in terms of what is played (which sounds are heard) and how they are played. Specifically it looks at how my hands and my interpretative preferences determine what is played and heard when I am the pianist in these pieces.
| Original language | English |
|---|---|
| Journal | Divergence Press |
| Issue number | 5 |
| DOIs | |
| Publication status | Published - 24 Oct 2016 |
Fingerprint
Dive into the research topics of 'Fingers, Fragility and Freedom: Christian Wolff’s Pianist: Pieces'. Together they form a unique fingerprint.Research output
- 3 Digital or Visual Products
-
Christian Wolff: Preludes, Variations, Studies and Incidental Music
Wolff, C. & Thomas, P., 15 May 2019Research output: Non-textual form › Digital or Visual Products
File -
CC: John Cage 'Concert for Piano and Orchestra'; Christian Wolff 'Resistance'
Thomas, P., 1 Nov 2017Research output: Non-textual form › Digital or Visual Products
-
Christian Wolff - Pianist: Pieces
Thomas, P., 2014Research output: Non-textual form › Digital or Visual Products
-
Suggestions for action’: Notation and movement in recent music by Christian Wolff
Philip Thomas (Speaker) & Emily Payne (Speaker)
12 Jul 2019Activity: Talk or presentation types › Oral presentation
-
Ensemble Interaction and Group Dynamics in Indeterminate Music: A Case Study of Christian Wolff’s Exercises
Philip Thomas (Speaker) & Emily Payne (Speaker)
13 Apr 2018Activity: Talk or presentation types › Oral presentation
-
Park Nights 2015
Philip Thomas (Participant)
25 Sep 2015Activity: Participating in or organising an event types › Organising a conference, workshop, ...