Abstract
| Original language | English |
|---|---|
| Title of host publication | Proceedings of the Electroacoustic Music Studies Network Conference |
| Subtitle of host publication | Electroacoustic Music Beyond Performance, Berlin, June 2014 |
| Number of pages | 8 |
| Publication status | Published - 2014 |
| Externally published | Yes |
| Event | Electroacoustic Music Studies Network Conference: Electroacoustic Music Beyond Performance - Berlin, Germany Duration: 10 Jun 2014 → 14 Jun 2014 http://www.ems-network.org/ems14/index.html (Link to Conference Website) |
Conference
| Conference | Electroacoustic Music Studies Network Conference |
|---|---|
| Abbreviated title | EMS14 |
| Country | Germany |
| City | Berlin |
| Period | 10/06/14 → 14/06/14 |
| Internet address |
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Four Small LLEAPs for Electroacoustic Music Studies : Notes on performance strategies from a series of participatory electronic music workshops. / Green, Owen.
Proceedings of the Electroacoustic Music Studies Network Conference: Electroacoustic Music Beyond Performance, Berlin, June 2014. 2014.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
TY - GEN
T1 - Four Small LLEAPs for Electroacoustic Music Studies
T2 - Notes on performance strategies from a series of participatory electronic music workshops
AU - Green, Owen
PY - 2014
Y1 - 2014
N2 - This paper will consider the conference theme of ‘Electroacoustic Music Beyond Concert Performance’ through the lens of a UK-based participatory electronic workshop for postgraduates and early career researchers that I have been involved in organising since 2009. These events go under the banner of ‘LLEAPP’ (there is cheerful fluidity about what the letters stand for, but at the last discussion it was Laboratory for Live Electronic Audio Performance Practice) and have been held four times in total: twice at the University of Edinburgh (2009, 2013), the University of Newcastle (2010) and the University of East Anglia (2011), with participants from a range of UK and European universities. Whilst the format has tended to shift slightly from event to event, the focus in each case has been on participants coming together and devising some performable music over the course of two or three days, as a basis for reflective practice-led research.
AB - This paper will consider the conference theme of ‘Electroacoustic Music Beyond Concert Performance’ through the lens of a UK-based participatory electronic workshop for postgraduates and early career researchers that I have been involved in organising since 2009. These events go under the banner of ‘LLEAPP’ (there is cheerful fluidity about what the letters stand for, but at the last discussion it was Laboratory for Live Electronic Audio Performance Practice) and have been held four times in total: twice at the University of Edinburgh (2009, 2013), the University of Newcastle (2010) and the University of East Anglia (2011), with participants from a range of UK and European universities. Whilst the format has tended to shift slightly from event to event, the focus in each case has been on participants coming together and devising some performable music over the course of two or three days, as a basis for reflective practice-led research.
M3 - Conference contribution
BT - Proceedings of the Electroacoustic Music Studies Network Conference
ER -