Francis Bacon: Painting in A Godless World

Research output: Book/ReportBook

Abstract

Throughout his career, Francis Bacon (1909-1992) made many anti-religious and, more specifically, anti-Christian statements. Bacon was a militant atheist but his atheism was not a simple dismissal of religion and religious belief. He exploited the symbols of Christianity, especially the Crucifixion and the Pope, in order to show its untenability in the modern age. Setting out to account for Bacon's recurrent and sustained use of religious symbols, Rina Arya explains how the artist redeployed religious iconography to convey an experience of the human condition, specifically animalism and mortality. By placing the work within the context of post-war philosophical pre-occupations with the death of God, the author provides a robust framework in which to view and interpret Bacon's complex images. Refreshingly original, this book marks a new approach to appreciating the work of one of the leading artists of the twentieth century.
LanguageEnglish
Place of PublicationLondon
PublisherLund Humphries
Number of pages176
ISBN (Print)1848220448, 9781848220447
Publication statusPublished - 28 Feb 2012
Externally publishedYes

Fingerprint

Religion
Artist
Francis Bacon
Crucifixion
Symbol
Modern Age
Religious Iconography
Mortality
Animalism
Christianity
Atheism
Religious Symbols
Religious Beliefs
Atheist
Militants
Death of God
Human Condition

Cite this

Arya, R. (2012). Francis Bacon: Painting in A Godless World. London: Lund Humphries.
Arya, Rina. / Francis Bacon : Painting in A Godless World. London : Lund Humphries, 2012. 176 p.
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Francis Bacon : Painting in A Godless World. / Arya, Rina.

London : Lund Humphries, 2012. 176 p.

Research output: Book/ReportBook

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Arya R. Francis Bacon: Painting in A Godless World. London: Lund Humphries, 2012. 176 p.