The paper introduces G3M, a framework that aims to outline the musical genome through a memetic analysis of large musical databases. The generated knowledge provides meaningful information about the evolution of musical structures, styles and compositional techniques overtime and space. Researchers interested in music and socioculturalevolution can fruitfully use the proposed system to perform extensive inter-opus analysis of musical works as well as to understand the evolution occurring within the musical domain.
|Title of host publication||Proceedings ICMC 2014|
|Editors||Torsten Schaub, Gerhard Friedrich, Barry O'Sullivan|
|Number of pages||7|
|Publication status||Published - 2014|
|Event||40th International Computer Music Conference Joint with the 11th Sound and Music Computing Conference: Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos - Athens, Greece|
Duration: 14 Sep 2014 → 20 Sep 2014
http://www.di.uoa.gr/node/1385 (Link to Conference Website)
|Name||Frontiers in artificial intelligence and applications|
|Conference||40th International Computer Music Conference Joint with the 11th Sound and Music Computing Conference|
|Abbreviated title||ICMC / SMC|
|Period||14/09/14 → 20/09/14|
Velardo, V., & Vallati, M. (2014). GenoMeMeMusic: A Memetic-based Framework for Discovering the Musical Genome. In T. Schaub, G. Friedrich, & B. O'Sullivan (Eds.), Proceedings ICMC 2014 (Vol. 2014, pp. 1558-1564). ( Frontiers in artificial intelligence and applications; Vol. 263). IOS Press.