Abstract
Germany has been home to a vibrant heavy metal scene since the mid-1980s. A good example is Wacken Open Air, a festival since 1989, which each year attracts 85,000 metal fans and over 100 bands from around the globe. Yet despite the huge popularity of metal music, German metal is widely ignored by national media and rarely present in music charts. Therefore, most German citizens are hardly aware of the high recognition German metal has attained elsewhere in the world.
| Original language | English |
|---|---|
| Title of host publication | Made in Germany |
| Subtitle of host publication | Studies in Popular Music |
| Editors | Oliver Seibt, Martin Ringsmut, David-Emil Wickström |
| Place of Publication | London |
| Publisher | Routledge |
| Chapter | 6 |
| Pages | 81-89 |
| Number of pages | 9 |
| Edition | 1 |
| ISBN (Electronic) | 9781351200790 |
| ISBN (Print) | 9780815391777, 9780815391784 |
| DOIs | |
| Publication status | Published - 22 Sept 2020 |
Publication series
| Name | Routledge Global Popular Music Series |
|---|---|
| Publisher | Routledge |
Fingerprint
Dive into the research topics of 'German Metal Attack: Power Metal in and from Germany'. Together they form a unique fingerprint.Research output
- 2 Article
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From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal
Herbst, J.-P., 1 Mar 2020, In: Metal Music Studies. 6, 1, p. 87-108 22 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile8 Link opens in a new tab Citations (Scopus) -
Sonic Signatures in Metal Music Production: Teutonic vs British vs American Sound
Herbst, J.-P., 11 May 2020, In: Samples. 18, 26 p.Research output: Contribution to journal › Article
Open AccessFile
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