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Abstract
This paper asks how craft practice can inform historical reconsiderations of handicraft produced within a humanitarian socio-economic framework (to support humanitarian aims or fund-raising initiatives), and in turn explores how historical processes become materialised in contemporary humanitarian craftwork. By considering the possibilities for practice-based methods, this paper proposes the utility of involvement in craft-making processes for historians of humanitarianism. At the same time, this gives rise to a multiplicity of concerns for a contemporary craft practitioner undertaking a form of creative expression identifiable by its humanitarian purpose. It is therefore a helpful corrective to the temptation to think that experiments are innovations. Looking at early attempts in history we see a practice mirrored, not in the results, but in the process of working in a humanitarian mode of craft-based practice.
Original language | English |
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Article number | 4181 |
Number of pages | 11 |
Journal | FormAkademisk |
Volume | 14 |
Issue number | 2 |
DOIs | |
Publication status | Published - 10 May 2021 |
Event | Biennial International Conference for the Craft Sciences 2021 - Online due to COVID-19, Online Duration: 4 May 2021 → 6 May 2021 https://biccs.dh.gu.se/2021 |
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- 1 Invited talk
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Visual strategies for ongoing care. Appealing to American donors to support Belgian lacemakers after the First World War
Claire Barber (Speaker), Rebecca Gill (Speaker) & Wendy Wiertz (Speaker)
16 Sep 2022Activity: Talk or presentation types › Invited talk