Abstract
This article explores an approach to training for immersive theatre performance which addresses the need for an expanded and multi-focal awareness. Drawing on the Movements from Grotowski’s Theatre of Sources period, Núñez’s training process for El Ensueño de los Árboles (2017) is discussed in terms of meditation-in-movement and deconditioning of perception. This training is considered as a training in the capacity for immersion.
| Original language | English |
|---|---|
| Pages (from-to) | 217-233 |
| Number of pages | 17 |
| Journal | Theatre, Dance and Performance Training |
| Volume | 9 |
| Issue number | 2 |
| Early online date | 28 Jun 2018 |
| DOIs | |
| Publication status | Published - 28 Jun 2018 |
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Profiles
Deborah Middleton
- Department of Media and Performance - Senior Lecturer
- School of Music, Humanities and Media
- Research Centre for Performance Practices - Member
Person: Academic
Cite this
Middleton, D., & Núñez, N. (2018). Immersive Awareness. Theatre, Dance and Performance Training, 9(2), 217-233. https://doi.org/10.1080/19443927.2018.1462252