Immersive Awareness

Deborah Middleton, Nicolás Núñez

Research output: Contribution to journalArticlepeer-review

2 Citations (Scopus)


This article explores an approach to training for immersive theatre performance which addresses the need for an expanded and multi-focal awareness. Drawing on the Movements from Grotowski’s Theatre of Sources period, Núñez’s training process for El Ensueño de los Árboles (2017) is discussed in terms of meditation-in-movement and deconditioning of perception. This training is considered as a training in the capacity for immersion.

Original languageEnglish
Pages (from-to)217-233
Number of pages17
JournalTheatre, Dance and Performance Training
Issue number2
Early online date28 Jun 2018
Publication statusPublished - 28 Jun 2018


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