Abstract
This article explores an approach to training for immersive theatre performance which addresses the need for an expanded and multi-focal awareness. Drawing on the Movements from Grotowski’s Theatre of Sources period, Núñez’s training process for El Ensueño de los Árboles (2017) is discussed in terms of meditation-in-movement and deconditioning of perception. This training is considered as a training in the capacity for immersion.
Original language | English |
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Pages (from-to) | 217-233 |
Number of pages | 17 |
Journal | Theatre, Dance and Performance Training |
Volume | 9 |
Issue number | 2 |
Early online date | 28 Jun 2018 |
DOIs | |
Publication status | Published - 28 Jun 2018 |
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Profiles
-
Deborah Middleton
- Department of Media and Performance - Senior Lecturer
- School of Music, Humanities and Media
- Research Centre for Performance Practices - Member
Person: Academic