Instruments & (Sketchbooks)

Peter Ablinger (Composer)

Research output: Non-textual formComposition

Abstract

for Ensemble and Electronics, ca. 35' The Ensemble: The Instrumentation is variable but the Ensemble should not be too small. The piece is originally written for a collaboration of the 2 Ensembles 'Konzert Minimal' and 'Dedalus'. The 1st section (Bassoon and Instruments) therefore exists in such instrumentation: fl, bcl, bsn, tbn, el-guit, acc, 2va, vc, cb. But many other combinations are possible, especially for instruments that are able to play sustained microtonal pitches. The combination of instruments should be able to represent the wide spectrums of e.g. the "Phonography" pieces with its very low up to very high pitches. If no bassoon is available you might leave away the 1st section. The Sections: 1. Bassoon and Instruments, 44"-88" 2. Instruments & Phonographies ("Plabutschtunnel"), ca. 9'52" 3. Instruments & Soundtrack, ca. 3'23" 4. Things 1-3, ca. 5'52" 5. Verticales, ca. 5'58" 6. Instruments & Phonographies ("Pendlerbus"), ca. 2'55" 7. Instruments & Audience, e.g. 2' 8. Thing, ca. 2'08"
Original languageEnglish
Place of PublicationAustria
PublisherZeitvertrib
Publication statusPublished - 2015

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instrumentation
electronics

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Ablinger, P. (Composer). (2015). Instruments & (Sketchbooks). Composition, Austria: Zeitvertrib.
Ablinger, Peter (Composer). / Instruments & (Sketchbooks). [Composition].
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abstract = "for Ensemble and Electronics, ca. 35' The Ensemble: The Instrumentation is variable but the Ensemble should not be too small. The piece is originally written for a collaboration of the 2 Ensembles 'Konzert Minimal' and 'Dedalus'. The 1st section (Bassoon and Instruments) therefore exists in such instrumentation: fl, bcl, bsn, tbn, el-guit, acc, 2va, vc, cb. But many other combinations are possible, especially for instruments that are able to play sustained microtonal pitches. The combination of instruments should be able to represent the wide spectrums of e.g. the {"}Phonography{"} pieces with its very low up to very high pitches. If no bassoon is available you might leave away the 1st section. The Sections: 1. Bassoon and Instruments, 44{"}-88{"} 2. Instruments & Phonographies ({"}Plabutschtunnel{"}), ca. 9'52{"} 3. Instruments & Soundtrack, ca. 3'23{"} 4. Things 1-3, ca. 5'52{"} 5. Verticales, ca. 5'58{"} 6. Instruments & Phonographies ({"}Pendlerbus{"}), ca. 2'55{"} 7. Instruments & Audience, e.g. 2' 8. Thing, ca. 2'08{"}",
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year = "2015",
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publisher = "Zeitvertrib",

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Ablinger, P, Instruments & (Sketchbooks), 2015, Composition, Zeitvertrib, Austria.
Instruments & (Sketchbooks). Ablinger, Peter (Composer). 2015. Austria : Zeitvertrib.

Research output: Non-textual formComposition

TY - ADVS

T1 - Instruments & (Sketchbooks)

A2 - Ablinger, Peter

PY - 2015

Y1 - 2015

N2 - for Ensemble and Electronics, ca. 35' The Ensemble: The Instrumentation is variable but the Ensemble should not be too small. The piece is originally written for a collaboration of the 2 Ensembles 'Konzert Minimal' and 'Dedalus'. The 1st section (Bassoon and Instruments) therefore exists in such instrumentation: fl, bcl, bsn, tbn, el-guit, acc, 2va, vc, cb. But many other combinations are possible, especially for instruments that are able to play sustained microtonal pitches. The combination of instruments should be able to represent the wide spectrums of e.g. the "Phonography" pieces with its very low up to very high pitches. If no bassoon is available you might leave away the 1st section. The Sections: 1. Bassoon and Instruments, 44"-88" 2. Instruments & Phonographies ("Plabutschtunnel"), ca. 9'52" 3. Instruments & Soundtrack, ca. 3'23" 4. Things 1-3, ca. 5'52" 5. Verticales, ca. 5'58" 6. Instruments & Phonographies ("Pendlerbus"), ca. 2'55" 7. Instruments & Audience, e.g. 2' 8. Thing, ca. 2'08"

AB - for Ensemble and Electronics, ca. 35' The Ensemble: The Instrumentation is variable but the Ensemble should not be too small. The piece is originally written for a collaboration of the 2 Ensembles 'Konzert Minimal' and 'Dedalus'. The 1st section (Bassoon and Instruments) therefore exists in such instrumentation: fl, bcl, bsn, tbn, el-guit, acc, 2va, vc, cb. But many other combinations are possible, especially for instruments that are able to play sustained microtonal pitches. The combination of instruments should be able to represent the wide spectrums of e.g. the "Phonography" pieces with its very low up to very high pitches. If no bassoon is available you might leave away the 1st section. The Sections: 1. Bassoon and Instruments, 44"-88" 2. Instruments & Phonographies ("Plabutschtunnel"), ca. 9'52" 3. Instruments & Soundtrack, ca. 3'23" 4. Things 1-3, ca. 5'52" 5. Verticales, ca. 5'58" 6. Instruments & Phonographies ("Pendlerbus"), ca. 2'55" 7. Instruments & Audience, e.g. 2' 8. Thing, ca. 2'08"

UR - http://ablinger.mur.at/instruments&sketchbooks.html

UR - http://www.gmea.net/evenement/instruments-et-bruits

M3 - Composition

PB - Zeitvertrib

CY - Austria

ER -

Ablinger P (Composer). Instruments & (Sketchbooks) Austria: Zeitvertrib. 2015.