Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Owen Green; Pierre Alexandre Tremblay; Gerard Roma

doi:10.5281/zenodo.3714536

Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Owen Green, Pierre Alexandre Tremblay, Gerard Roma

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

Can a commitment to musical pluralism be embedded as a value in musical technologies? This question has come to structure part of our work during the early stages of a five-year project investigating techniques and tools for ‘Fluid Corpus Manipulation’ (FluCoMa)1. In this paper we frame our thinking about this by considering interdisciplinarity in Electroacoustic Music Studies, before proceeding to apply our thoughts on this to our specific project in terms of practice-led design. We end with questions as seeds for future discussion, rather than categorical findings.

Original language	English
Title of host publication	Proceedings of the Electroacoustic Music Studies Network Conference
Publisher	Zenodo
Number of pages	12
ISBN (Print)	9782957214419
DOIs	https://doi.org/10.5281/zenodo.3714536
Publication status	Published - 24 Jan 2019
Event	Electroacoustic Music Studies Network Conference: Electroacoustic Music: Is it Still a Form of Experimental Music? - Villa Finaly, Florence, Italy Duration: 20 Jun 2018 → 23 Jun 2018 http://www.ems-network.org/ems18/index.html (Link to Event Website )

Conference

Conference	Electroacoustic Music Studies Network Conference
Abbreviated title	EMS 2018
Country/Territory	Italy
City	Florence
Period	20/06/18 → 23/06/18
Internet address	http://www.ems-network.org/ems18/index.html (Link to Event Website )

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10.5281/zenodo.3714536Licence: CC BY

Cite this

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title = "Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora",

abstract = "Can a commitment to musical pluralism be embedded as a value in musical technologies? This question has come to structure part of our work during the early stages of a five-year project investigating techniques and tools for {\textquoteleft}Fluid Corpus Manipulation{\textquoteright} (FluCoMa)1. In this paper we frame our thinking about this by considering interdisciplinarity in Electroacoustic Music Studies, before proceeding to apply our thoughts on this to our specific project in terms of practice-led design. We end with questions as seeds for future discussion, rather than categorical findings. ",

keywords = "Fluid Corpus Manipulation, sound corpora, musical pluralism, musical technologies, interdisciplinarity",

author = "Owen Green and Tremblay, {Pierre Alexandre} and Gerard Roma",

year = "2019",

month = jan,

day = "24",

doi = "10.5281/zenodo.3714536",

language = "English",

isbn = "9782957214419 ",

booktitle = "Proceedings of the Electroacoustic Music Studies Network Conference",

publisher = "Zenodo",

address = "Switzerland",

note = "Electroacoustic Music Studies Network Conference : Electroacoustic Music: Is it Still a Form of Experimental Music?, EMS 2018 ; Conference date: 20-06-2018 Through 23-06-2018",

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T1 - Interdisciplinary Research as Musical Experimentation

T2 - Electroacoustic Music Studies Network Conference

AU - Green, Owen

AU - Tremblay, Pierre Alexandre

AU - Roma, Gerard

PY - 2019/1/24

Y1 - 2019/1/24

N2 - Can a commitment to musical pluralism be embedded as a value in musical technologies? This question has come to structure part of our work during the early stages of a five-year project investigating techniques and tools for ‘Fluid Corpus Manipulation’ (FluCoMa)1. In this paper we frame our thinking about this by considering interdisciplinarity in Electroacoustic Music Studies, before proceeding to apply our thoughts on this to our specific project in terms of practice-led design. We end with questions as seeds for future discussion, rather than categorical findings.

AB - Can a commitment to musical pluralism be embedded as a value in musical technologies? This question has come to structure part of our work during the early stages of a five-year project investigating techniques and tools for ‘Fluid Corpus Manipulation’ (FluCoMa)1. In this paper we frame our thinking about this by considering interdisciplinarity in Electroacoustic Music Studies, before proceeding to apply our thoughts on this to our specific project in terms of practice-led design. We end with questions as seeds for future discussion, rather than categorical findings.

KW - Fluid Corpus Manipulation

KW - sound corpora

KW - musical pluralism

KW - musical technologies

KW - interdisciplinarity

UR - http://www.ems-network.org/spip.php?article471

U2 - 10.5281/zenodo.3714536

DO - 10.5281/zenodo.3714536

M3 - Conference contribution

SN - 9782957214419

BT - Proceedings of the Electroacoustic Music Studies Network Conference

PB - Zenodo

Y2 - 20 June 2018 through 23 June 2018

ER -

Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Abstract

Conference

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Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Abstract

Conference

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