Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Owen Green, Pierre Alexandre Tremblay, Gerard Roma

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

Abstract

Can a commitment to musical pluralism be embedded as a value in musical technologies? This question has come to structure part of our work during the early stages of a five-year project investigating techniques and tools for ‘Fluid Corpus Manipulation’ (FluCoMa)1. In this paper we frame our thinking about this by considering interdisciplinarity in Electroacoustic Music Studies, before proceeding to apply our thoughts on this to our specific project in terms of practice-led design. We end with questions as seeds for future discussion, rather than categorical findings.
Original languageEnglish
Title of host publicationProceedings of the Electroacoustic Music Studies Network Conference
PublisherZenodo
Number of pages12
ISBN (Print)9782957214419
DOIs
Publication statusPublished - 24 Jan 2019
EventElectroacoustic Music Studies Network Conference: Electroacoustic Music: Is it Still a Form of Experimental Music? - Villa Finaly, Florence, Italy
Duration: 20 Jun 201823 Jun 2018
http://www.ems-network.org/ems18/index.html (Link to Event Website )

Conference

ConferenceElectroacoustic Music Studies Network Conference
Abbreviated titleEMS 2018
Country/TerritoryItaly
CityFlorence
Period20/06/1823/06/18
Internet address

Fingerprint

Dive into the research topics of 'Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora'. Together they form a unique fingerprint.

Cite this