Introducing TaCEM and the tIAAls software

John Clarke; Frédéric Dufeu; Peter Manning

Introducing TaCEM and the tIAAls software

John Clarke, Frédéric Dufeu, Peter Manning

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

This paper introduces the TaCEM project (Technology and Creativity in Electroacoustic Music), funded for 30 months by the Arts and Humanities Research Council in the UK, investigating the relationship between technological innovation and creative practice in electroacoustic music of the last 40 years (http://www.hud.ac.uk/research/researchcentres/tacem/). It is a collaborative project between the universities of Huddersfield and Durham in the UK and outputs from the project will include a book and freely available interactive software. This paper explains the context for the project and its goals, and discusses some of the generic software that is being developed as part of the project, intended not only for use in the project itself but also to be freely available for others to use in the study of any electroacoustic work as appropriate.

Original language	English
Title of host publication	Proceedings of the 2013 ICMC Conference: International Developments in Electroacoustics
Publisher	International Computer Music Association
Pages	47-53
Number of pages	7
ISBN (Print)	9780984527427
Publication status	Published - 2013
Event	39th International Computer Music Conference - Perth, Australia Duration: 11 Aug 2013 → 17 Aug 2013 Conference number: 39 http://www.computermusic.org/page/23/ (Link to International Computer Music Association Website)

Conference

Conference	39th International Computer Music Conference
Abbreviated title	ICMC 2013
Country/Territory	Australia
City	Perth
Period	11/08/13 → 17/08/13
Internet address	http://www.computermusic.org/page/23/ (Link to International Computer Music Association Website)

Cite this

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title = "Introducing TaCEM and the tIAAls software",

abstract = "This paper introduces the TaCEM project (Technology and Creativity in Electroacoustic Music), funded for 30 months by the Arts and Humanities Research Council in the UK, investigating the relationship between technological innovation and creative practice in electroacoustic music of the last 40 years (http://www.hud.ac.uk/research/researchcentres/tacem/). It is a collaborative project between the universities of Huddersfield and Durham in the UK and outputs from the project will include a book and freely available interactive software. This paper explains the context for the project and its goals, and discusses some of the generic software that is being developed as part of the project, intended not only for use in the project itself but also to be freely available for others to use in the study of any electroacoustic work as appropriate.",

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AU - Dufeu, Frédéric

AU - Manning, Peter

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N2 - This paper introduces the TaCEM project (Technology and Creativity in Electroacoustic Music), funded for 30 months by the Arts and Humanities Research Council in the UK, investigating the relationship between technological innovation and creative practice in electroacoustic music of the last 40 years (http://www.hud.ac.uk/research/researchcentres/tacem/). It is a collaborative project between the universities of Huddersfield and Durham in the UK and outputs from the project will include a book and freely available interactive software. This paper explains the context for the project and its goals, and discusses some of the generic software that is being developed as part of the project, intended not only for use in the project itself but also to be freely available for others to use in the study of any electroacoustic work as appropriate.

AB - This paper introduces the TaCEM project (Technology and Creativity in Electroacoustic Music), funded for 30 months by the Arts and Humanities Research Council in the UK, investigating the relationship between technological innovation and creative practice in electroacoustic music of the last 40 years (http://www.hud.ac.uk/research/researchcentres/tacem/). It is a collaborative project between the universities of Huddersfield and Durham in the UK and outputs from the project will include a book and freely available interactive software. This paper explains the context for the project and its goals, and discusses some of the generic software that is being developed as part of the project, intended not only for use in the project itself but also to be freely available for others to use in the study of any electroacoustic work as appropriate.

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M3 - Conference contribution

AN - SCOPUS:84906083590

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SP - 47

EP - 53

BT - Proceedings of the 2013 ICMC Conference: International Developments in Electroacoustics

PB - International Computer Music Association

T2 - 39th International Computer Music Conference

Y2 - 11 August 2013 through 17 August 2013

ER -

Introducing TaCEM and the tIAAls software

Abstract

Conference

Other files and links

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The impact of technology on the creative processes of composing electroacoustic music

Cite this

Introducing TaCEM and the tIAAls software

Abstract

Conference

Other files and links

Fingerprint

Projects

The impact of technology on the creative processes of composing electroacoustic music

Cite this