Introduction: Encoding the Musical Erotic

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

The study of sex and sexuality in early modern Europe is now well established in humanities scholarship, whether attending to literature, visual arts, or even music. Yet erotic discourse-or eroticism-in and of itself has not had quite so much attention in the musicological literature, at least not in relation to early modern music. Certainly, for later repertories musicologists, musicians, and audiences have no trouble proposing and agreeing that music can be intrinsically erotic, whether it be harmonically (the Tristan chord) or performatively (much of Madonna’s or Lady Gaga’s output). But eroticism in early modern music has largely escaped detailed scrutiny, possibly because reading erotica created in anything but our own immediate culture (geographical, social, and temporal) is a challenge, or because the oddness, to us, of many of the fundamental beliefs on which it is based render it baffling and strange.
Original languageEnglish
Title of host publicationEroticism in Early Modern Music
EditorsBonnie Blackburn, Laurie Stras
PublisherRoutledge
Pages1-17
Number of pages17
ISBN (Electronic)9781315580203
ISBN (Print)9780815365594, 9781472443335
Publication statusPublished - 28 Mar 2015
Externally publishedYes

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  • Cite this

    Stras, L. (2015). Introduction: Encoding the Musical Erotic. In B. Blackburn, & L. Stras (Eds.), Eroticism in Early Modern Music (pp. 1-17). Routledge.