Introduction: 'State Music" and Dictatorship

Esteban Buch, Igor Contreras-Zubillaga, Manuel Deniz Silva

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

This book is a compilation of 10 studies on musical works written for some of the dictatorial regimes that, in different parts of the world and from different ideological positions, determined the political history of the twentieth century. In every case, the State played a decisive role in the commission, production, execution and public dissemination of the works; their description as ‘State music’ (Buch, 1999) therefore seems justified. This label is not, at any rate, limited to music promoted by dictatorial regimes, even if this form of government seems to be especially prone to the instrumentalisation of the arts. For this reason, beyond the empirical dimension of each of its chapters, this book aims to contribute to a broader reflection on music and politics, and on the State as a key agent in this relationship. The chapters share the same interdisciplinary approach, which combine ideas mostly taken from the fields of history and musicology.
Original languageEnglish
Title of host publicationComposing for the State
Subtitle of host publicationMusic in Twentieth-Century Dictatorships
EditorsEsteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva
Place of PublicationAbingdon
PublisherRoutledge, Taylor & Francis Group
Pages1-14
Number of pages14
Edition1st
ISBN (Electronic)9781315573236
ISBN (Print)9780367229214 , 9781472437495
Publication statusPublished - 27 Jan 2016
Externally publishedYes

Publication series

NameMusical Cultures of the Twentieth Century

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  • Cite this

    Buch, E., Contreras-Zubillaga, I., & Silva, M. D. (2016). Introduction: 'State Music" and Dictatorship. In E. Buch, I. Contreras Zubillaga, & M. Deniz Silva (Eds.), Composing for the State: Music in Twentieth-Century Dictatorships (1st ed., pp. 1-14). (Musical Cultures of the Twentieth Century). Abingdon: Routledge, Taylor & Francis Group.