Advances in amplifier technology, be it transistor, modelling or digital simulation, have traditionally been rejected by recording guitarists. In 2011, Kemper GmbH introduced a new ‘profiling’ technology that promised to combine the best of both worlds, the authentic sound of an analogue valve amplifier with the functionality of a digital simulation. Guitarists and record producers reacted sceptically at first but gradually accepted the profiler. Using Rogers’ Diffusion of Innovation as a theoretical framework, this chapter analyses the affordances of guitar profiling technology for recording professionals and why their attitudes toward this technology have changed. Methodically, Kemper’s company website is studied with qualitative content analysis. Besides presenting the innovation, the website contains 57 written artist statements and 39 videos of professionals describing their encounter with profiling technology and its application in record production. The findings suggest that many professionals regard the profiler as a truly innovative and indispensable studio tool. Although analogue equipment is still preferred to a digital amplifier, most professionals have found ways to integrate it into an analogue environment. This gives them the best of both worlds without having to completely rethink their attitude towards digital guitar amplification.
|Title of host publication||Distortion in Music Production|
|Subtitle of host publication||The Soul of Sonics|
|Editors||Gary Bromham, Austin Moore|
|Number of pages||11|
|ISBN (Print)||9780367405854, 9780367405878|
|Publication status||Published - 12 Jun 2023|
|Name||Perspectives on Music Production|