John McGahern’s stylistic and narratological art

Beatrix Busse, Daniel McIntyre, Nina Norgaard, Michael Toolan

Research output: Contribution to journalArticle

Abstract

The Irish writer John McGahern is acknowledged as a master stylist in both his novels and his short stories. In this article we discuss the stylistic and narratological factors that contribute to the artistry in McGahern’s short story writing. We analyse three stories: “A Slip-up”, “All Sorts of Impossible Things”, and “Creatures of the Earth”, using a combination of qualitative and quantitative methodologies. The stylistic devices that we concentrate on are speech and thought presentation, negative polarity, lexico-semantic foregrounding, prospection and projection, collocation and semantic prosody, and keyness. We argue that by analysing these devices it is possible to gain an insight into the way in which McGahern draws the reader into his stories and generates empathetic responses to his characters. Consequently, these stylistic techniques may be seen as integral to McGahern’s style as a writer.
Original languageEnglish
Pages (from-to)101-131
Number of pages30
JournalLexis
Volume5
DOIs
Publication statusPublished - 1 Jan 2010

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Short Story
Writer
Art
Slip
Reader
Negative Polarity
Semantic Prosody
Foregrounding
Collocation
Stylist
Methodology
Artistry
Stylistic Devices
Novel
Prospection
Creatures
Thought

Cite this

Busse, Beatrix ; McIntyre, Daniel ; Norgaard, Nina ; Toolan, Michael. / John McGahern’s stylistic and narratological art. In: Lexis. 2010 ; Vol. 5. pp. 101-131.
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John McGahern’s stylistic and narratological art. / Busse, Beatrix; McIntyre, Daniel; Norgaard, Nina; Toolan, Michael.

In: Lexis, Vol. 5, 01.01.2010, p. 101-131.

Research output: Contribution to journalArticle

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