Joseph Joachim: Evoking his Style and Practice in Historically-Informed Performance

David Milsom

doi:10.2307/j.ctvdjrnv4.13

Joseph Joachim: Evoking his Style and Practice in Historically-Informed Performance

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

Written up after the Joachim death centenary symposium in Kitsee, Austria, July, 2007, this chapter explores the fundamental elements of Joseph Joachim's performing practices with a view to re-enacting these in experimental, historically-informed performance.

Original language	English
Title of host publication	Anklaenge 2008
Subtitle of host publication	Joseph Joachim (1831–1907): Europäischer Bürger, Komponist, Virtuose
Editors	Michele Calella, Christian Glanz
Place of Publication	Vienna
Publisher	Hollitzer Verlag
Pages	225-236
Number of pages	12
Volume	3
ISBN (Print)	9783900198190
DOIs	https://doi.org/10.2307/j.ctvdjrnv4.13
Publication status	Published - 2008
Externally published	Yes

Publication series

Name	Anklaenge: Wiener Jahrbuch für Musikwissenschaft
Publisher	Mille Tre Verlag

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10.2307/j.ctvdjrnv4.13Licence: Unspecified

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Joseph Joachim : Evoking his Style and Practice in Historically-Informed Performance. / Milsom, David.

Anklaenge 2008: Joseph Joachim (1831–1907): Europäischer Bürger, Komponist, Virtuose. ed. / Michele Calella; Christian Glanz. Vol. 3 Vienna : Hollitzer Verlag, 2008. p. 225-236 (Anklaenge: Wiener Jahrbuch für Musikwissenschaft).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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KW - Historical performance

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Joseph Joachim: Evoking his Style and Practice in Historically-Informed Performance

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