TY - JOUR
T1 - Just Like the Kings Road, Only Nearer
T2 - Scotland’s Boutique Bonanza, 1965–1970
AU - Halbert, Jade
N1 - Funding Information:
The research leading to this article would not have been possible without the help of Marion and David Donaldson — I am indebted to them for their continued support and generosity. Thanks also to Christine Stevens and Alexandra Kim for their help and advice with revisions, and to the anonymous peer reviewers for their kind and constructive feedback. The original research for this article was supported by the Economic and Social Research Council under grant number ES/I902414/I.
Publisher Copyright:
© The Costume Society.
PY - 2022/3/1
Y1 - 2022/3/1
N2 - The fashion entrepreneurs of so-called ‘Swinging London’ – John Stephen on Carnaby Street or Mary Quant on the Kings Road, for example – fundamentally changed British fashion in the 1960s: from old to young, dull to vibrant, and crucially, from shop to boutique. But while the impact of ‘Swinging London’ is well-recorded in the historiography of English fashion and retail, less is known about its effects further afield. This article considers the impact of ‘Swinging London’ boutique culture in Scotland between 1965 and 1970. Taking the example of the Glasgow fashion design and manufacturing business Marion Donaldson as its main case study, it draws on a variety of oral history, archival, and media evidence to trace the dissemination of boutique fashion culture in Scotland across multiple retail contexts. From the urban centres of Glasgow and Edinburgh to the towns and regions beyond, it offers new analyses of the opportunities boutique retailing afforded Marion Donaldson and the Scottish fashion industry more generally, and thus provides new insight into the impact of the so-called ‘boutique boom’ of the 1960s on Scottish fashion and enterprise culture.
AB - The fashion entrepreneurs of so-called ‘Swinging London’ – John Stephen on Carnaby Street or Mary Quant on the Kings Road, for example – fundamentally changed British fashion in the 1960s: from old to young, dull to vibrant, and crucially, from shop to boutique. But while the impact of ‘Swinging London’ is well-recorded in the historiography of English fashion and retail, less is known about its effects further afield. This article considers the impact of ‘Swinging London’ boutique culture in Scotland between 1965 and 1970. Taking the example of the Glasgow fashion design and manufacturing business Marion Donaldson as its main case study, it draws on a variety of oral history, archival, and media evidence to trace the dissemination of boutique fashion culture in Scotland across multiple retail contexts. From the urban centres of Glasgow and Edinburgh to the towns and regions beyond, it offers new analyses of the opportunities boutique retailing afforded Marion Donaldson and the Scottish fashion industry more generally, and thus provides new insight into the impact of the so-called ‘boutique boom’ of the 1960s on Scottish fashion and enterprise culture.
KW - Boutique
KW - Glasgow
KW - Scotland
KW - Fashion
KW - 1960s
KW - Marion Donaldson
KW - Carnaby Street
KW - Swinging London
KW - boutique
KW - fashion
UR - https://www.euppublishing.com/loi/cost
UR - http://www.scopus.com/inward/record.url?scp=85128207260&partnerID=8YFLogxK
U2 - 10.3366/cost.2022.0220
DO - 10.3366/cost.2022.0220
M3 - Article
VL - 56
SP - 101
EP - 124
JO - Costume
JF - Costume
SN - 0590-8876
IS - 1
ER -