Kwartz Kapital Konstruction Kollider

KKKK is concerned with the current discourse surrounding expansive approaches to Architecture,film, sound work as well as painting and sculpture in contemporary art practices. Taking has its point of departure the proliferation of temporary materials – plastic barrier sheeting, Mylar– found in temporary architectures in crisis situations in news media images and popular culture and the expansion of these provisional materials into contemporary art – with a particular focus on painting and sculpture – practices, the asymmetry of artwork and audience, the staging of material collisions in curation, and a
development of the architectural notion of superadjacency in relation to art and site.