Lépidoptères

Mathew Adkins (Composer), Terry Hron (Composer), Dominique Bassal (Producer)

Research output: Non-textual formComposition

Abstract

Lepidoptera is a work for recorders and electronics made of five movements, each referring to families of butterflies and moths. The nature and character of the recorder is similar, with its varying tonal colours, and its transformations from caterpillar to chrysalis to butterfly. The consort of recorders used belongs together. They have a broad sound with strong upper partials; there are intimate, almost inexplicable sonic and physical connections between the different instruments. This inspired similar connections and interactions between the recorder(s) and the electronics.

The five movements are families of relationships, with no two performances ever the same as they are reconfigured and retuned anew for each iteration. In Saturniid, the recorder rides the crest of an acousmatic wave, sometimes submerged within the mix and at other points rising momentarily above it. Ephemeroptera delicately counterpoints the solo recorder and its fixed environment. Zygoptera and Anisoptera have an algorithmic mobile that creates a stream of sound files that feed into the larger tributary of sound processing, shaped by multiple envelopes and parameter changes. Lepidoptera combines and morphs these different approaches.
Original languageEnglish
Publisherempreintes DIGITALes
Media of outputCD
Publication statusPublished - 2016

Fingerprint

Recorder
Sound
Tonal
Consort
Iteration
File
Physical
Solo
Interaction
Acousmatic
Waves
Counterpoint

Cite this

Adkins, M. (Composer), Hron, T. (Composer), & Bassal, D. (Producer). (2016). Lépidoptères. Composition, empreintes DIGITALes.
Adkins, Mathew (Composer) ; Hron, Terry (Composer) ; Bassal, Dominique (Producer). / Lépidoptères. [Composition].
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abstract = "Lepidoptera is a work for recorders and electronics made of five movements, each referring to families of butterflies and moths. The nature and character of the recorder is similar, with its varying tonal colours, and its transformations from caterpillar to chrysalis to butterfly. The consort of recorders used belongs together. They have a broad sound with strong upper partials; there are intimate, almost inexplicable sonic and physical connections between the different instruments. This inspired similar connections and interactions between the recorder(s) and the electronics.The five movements are families of relationships, with no two performances ever the same as they are reconfigured and retuned anew for each iteration. In Saturniid, the recorder rides the crest of an acousmatic wave, sometimes submerged within the mix and at other points rising momentarily above it. Ephemeroptera delicately counterpoints the solo recorder and its fixed environment. Zygoptera and Anisoptera have an algorithmic mobile that creates a stream of sound files that feed into the larger tributary of sound processing, shaped by multiple envelopes and parameter changes. Lepidoptera combines and morphs these different approaches.",
author = "Mathew Adkins and Terry Hron and Dominique Bassal",
note = "L{\'e}pidopt{\`e}res is a collaborative co-composed work with Terri Hron for recorder and electronics made of five movements, each referring to families of butterflies and moths. The nature and character of the recorder is similar, with its varying tonal colours, and its transformations from caterpillar to chrysalis to butterfly. The consort of recorders used belongs together. They have a broad sound with strong upper partials; there are intimate, almost inexplicable sonic and physical connections between the different instruments. This inspired similar connections and interactions between the recorder(s) and the electronics. The five movements are families of relationships, with no two performances ever the same as they are reconfigured and retuned anew for each iteration. In Saturniid, the recorder rides the crest of an acousmatic wave, sometimes submerged within the mix and at other points rising momentarily above it. Ephemeroptera delicately counterpoints the solo recorder and its fixed environment. Zygoptera and Anisoptera have an algorithmic mobile that creates a stream of sound files that feed into the larger tributary of sound processing, shaped by multiple envelopes and parameter changes. Lepidoptera combines and morphs these different approaches. 1 – Zygoptera (4:12) 2 – Lepidoptera (8:13) 3 – Saturniid (8:41) 4 – Anisoptera (10:09) 5 – Ephemeroptera (10:41) http://www.electrocd.com/en/cat/imed_16136/ Release date: February 24th 2016 Mastered by Dominique Bassal",
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Adkins, M, Hron, T & Bassal, D, Lépidoptères, 2016, Composition, empreintes DIGITALes.
Lépidoptères. Adkins, Mathew (Composer); Hron, Terry (Composer); Bassal, Dominique (Producer). 2016. empreintes DIGITALes.

Research output: Non-textual formComposition

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N1 - Lépidoptères is a collaborative co-composed work with Terri Hron for recorder and electronics made of five movements, each referring to families of butterflies and moths. The nature and character of the recorder is similar, with its varying tonal colours, and its transformations from caterpillar to chrysalis to butterfly. The consort of recorders used belongs together. They have a broad sound with strong upper partials; there are intimate, almost inexplicable sonic and physical connections between the different instruments. This inspired similar connections and interactions between the recorder(s) and the electronics. The five movements are families of relationships, with no two performances ever the same as they are reconfigured and retuned anew for each iteration. In Saturniid, the recorder rides the crest of an acousmatic wave, sometimes submerged within the mix and at other points rising momentarily above it. Ephemeroptera delicately counterpoints the solo recorder and its fixed environment. Zygoptera and Anisoptera have an algorithmic mobile that creates a stream of sound files that feed into the larger tributary of sound processing, shaped by multiple envelopes and parameter changes. Lepidoptera combines and morphs these different approaches. 1 – Zygoptera (4:12) 2 – Lepidoptera (8:13) 3 – Saturniid (8:41) 4 – Anisoptera (10:09) 5 – Ephemeroptera (10:41) http://www.electrocd.com/en/cat/imed_16136/ Release date: February 24th 2016 Mastered by Dominique Bassal

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N2 - Lepidoptera is a work for recorders and electronics made of five movements, each referring to families of butterflies and moths. The nature and character of the recorder is similar, with its varying tonal colours, and its transformations from caterpillar to chrysalis to butterfly. The consort of recorders used belongs together. They have a broad sound with strong upper partials; there are intimate, almost inexplicable sonic and physical connections between the different instruments. This inspired similar connections and interactions between the recorder(s) and the electronics.The five movements are families of relationships, with no two performances ever the same as they are reconfigured and retuned anew for each iteration. In Saturniid, the recorder rides the crest of an acousmatic wave, sometimes submerged within the mix and at other points rising momentarily above it. Ephemeroptera delicately counterpoints the solo recorder and its fixed environment. Zygoptera and Anisoptera have an algorithmic mobile that creates a stream of sound files that feed into the larger tributary of sound processing, shaped by multiple envelopes and parameter changes. Lepidoptera combines and morphs these different approaches.

AB - Lepidoptera is a work for recorders and electronics made of five movements, each referring to families of butterflies and moths. The nature and character of the recorder is similar, with its varying tonal colours, and its transformations from caterpillar to chrysalis to butterfly. The consort of recorders used belongs together. They have a broad sound with strong upper partials; there are intimate, almost inexplicable sonic and physical connections between the different instruments. This inspired similar connections and interactions between the recorder(s) and the electronics.The five movements are families of relationships, with no two performances ever the same as they are reconfigured and retuned anew for each iteration. In Saturniid, the recorder rides the crest of an acousmatic wave, sometimes submerged within the mix and at other points rising momentarily above it. Ephemeroptera delicately counterpoints the solo recorder and its fixed environment. Zygoptera and Anisoptera have an algorithmic mobile that creates a stream of sound files that feed into the larger tributary of sound processing, shaped by multiple envelopes and parameter changes. Lepidoptera combines and morphs these different approaches.

UR - http://www.electrocd.com/en/cat/imed_16136/

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M3 - Composition

PB - empreintes DIGITALes

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Adkins M (Composer), Hron T (Composer), Bassal D (Producer). Lépidoptères empreintes DIGITALes. 2016.