Abstract
In the first part of the concert, Pierre Alexandre improvises, on electric bass and laptop, a variation / remix / recomposition of material from his latest album, four poems, recently released. Cutting, gluing, juxtaposition, overlays, variations, everything is allowed. Already, the album is described as instrumental, loud, (post-)acousmatic, melodic, anecdotal, lyrical, ambient, groovy, environmental, abstract, grating, soothing, rabid, contemplative, expressionist… …it's all that and nothing all of this at once . All of these divisions are worked out in dialogue. Add an electric bass to that list, and we have an invitation for a colorful set.
In the second part, the acousmatic composition class of ARTS² and the Belgian Federation for Electroacoustic Music (FeBeME-BeFEM) offer a program bringing together new works by students and pieces by professional composers. The whole will be proposed with a spatialization on acousmonium (orchestra of loudspeakers).
In the second part, the acousmatic composition class of ARTS² and the Belgian Federation for Electroacoustic Music (FeBeME-BeFEM) offer a program bringing together new works by students and pieces by professional composers. The whole will be proposed with a spatialization on acousmonium (orchestra of loudspeakers).
| Original language | English |
|---|---|
| Publication status | Published - 17 Feb 2022 |
| Event | La Semaine Du Son: De Week Van De Klank: Pierre Alexandre Tremblay and Acousmatic Concert - Mons, Belgium Duration: 17 Feb 2022 → 17 Feb 2022 |
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Quatre poèmes: Four Poems
Tremblay, P. A. (Composer), 23 Nov 2021Research output: Non-textual form › Digital or Visual Products
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