Abstract
A ‘sonic parasite’ installation developed with Martin Parker for the Gap in the Air festival at the Talbot Rice Gallery in 2015.
It feeds off its surrounding auditory environment in order to make itself heard. Over the course of its infestation, its relationship to the environment changes. Interventions from invited artists, gallery staff, passing traffic and its own voice see the work ‘mature’ in situ, establishing a niche.
The piece develops from something closed to something structurally coupled to the environment, where behaviours and transformations of sound are themselves driven by what it ‘hears’.
It feeds off its surrounding auditory environment in order to make itself heard. Over the course of its infestation, its relationship to the environment changes. Interventions from invited artists, gallery staff, passing traffic and its own voice see the work ‘mature’ in situ, establishing a niche.
The piece develops from something closed to something structurally coupled to the environment, where behaviours and transformations of sound are themselves driven by what it ‘hears’.
| Original language | English |
|---|---|
| Publication status | Published - 29 Jun 2016 |
| Externally published | Yes |
| Event | International Conference on Live Interfaces - University of Sussex, Brighton, United Kingdom Duration: 29 Jun 2016 → 3 Jul 2016 http://www.wikicfp.com/cfp/servlet/event.showcfp?eventid=50258©ownerid=38925 (Link to Conference Information) |
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Dive into the research topics of 'Limits to Growth'. Together they form a unique fingerprint.Research output
- 1 Conference contribution
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All the Noises: Hijacking Listening Machines for Performative Research
Bowers, J. & Green, O., 1 Jun 2018, Proceedings of the International Conference on New Interfaces for Musical Expression. Virginia Tech, p. 114-119 6 p. (NIME Proceeings).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open AccessFile37 Link opens in a new tab Citations (Scopus)
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