Love me, Love me not (Part I): Chopin’s reception in Great Britain, 1830-1849

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Abstract

Great Britain occupies a unique position in Chopin’s reception history: while it was one of the three locations for publication of his first editions, it initially witnessed polarised reactions to his music that greatly influenced the reception and performances of his works after his death, ultimately revealing a different set of attitudes to those exhibited in France and Germany. This article considers the reception of Frédéric Chopin, both as a pianist and composer, in Great Britain during his lifetime.
Original languageEnglish
JournalMusica Iagellonica
Publication statusAccepted/In press - 24 Jan 2020

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