Skip to main navigation Skip to search Skip to main content

"Magic Music Mixing Machines": A Future Design Workshop with Amateur Music Producers

Christopher Dewey, Jonathan Wakefield, Austin Moore

Research output: Contribution to journalArticlepeer-review

Abstract

The Audio Mixing Interface (AMI) is primary tool for music production. Despite evolving from analogue to digital and software-based systems its core visual paradigm used to convey meaning remains unchanged. Alternative designs based on a metaphorical stage have been proposed but lacked user involvement in the design process. This study addresses this omission by employing a future design workshop approach to explore amateur music producers perspectives on AMI technologies. Seventy amateur target users provided pictorial responses, which, when analysed thematically, revealed four core themes: the prominence of the stage as the mental model to visualise the mix space, a desire for a higher level interaction style and assistive/automated features and challenges with traditional computer-based interactions. These insights will inform the development of more intuitive, user-centred AMIs tailored to the needs of amateur producers.
Original languageEnglish
Number of pages19
JournalInternational Journal of Human-Computer Interaction
Early online date30 Mar 2026
DOIs
Publication statusE-pub ahead of print - 30 Mar 2026

Fingerprint

Dive into the research topics of '"Magic Music Mixing Machines": A Future Design Workshop with Amateur Music Producers'. Together they form a unique fingerprint.

Cite this