Mesh: Thought Positions in Sculpture

Nicola Redmore

Mesh: Thought Positions in Sculpture

Nicola Redmore (Photographer)

Research output: Non-textual form › Exhibition

Abstract

This work was created in response Tate’s digitized archive collection of Kenneth Armitage and specifically in response to a notebook which contains records of works by Kenneth Armitage between 1957 and 1960. Access to the Leeds Sculpture Collection and archival materials at the Henry Moore Institute also provided an opportunity to examine the maquettes Armitage created for his Standing Group series (1951-52) and to investigate some of the early life drawings and photographs made by his wife Joan Moore.

Original language	English
Publication status	Published - Oct 2015
Event	Thought Positions in Sculpture - Huddersfield Art Gallery, Huddersfield, United Kingdom Duration: 16 Oct 2015 → 9 Jan 2016 https://research.hud.ac.uk/institutes-centres/ceada/ourprojects/thoughtpositionsinsculpture/ (Link to Exhibition Details)

Cite this

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title = "Mesh: Thought Positions in Sculpture",

abstract = "This work was created in response Tate{\textquoteright}s digitized archive collection of Kenneth Armitage and specifically in response to a notebook which contains records of works by Kenneth Armitage between 1957 and 1960. Access to the Leeds Sculpture Collection and archival materials at the Henry Moore Institute also provided an opportunity to examine the maquettes Armitage created for his Standing Group series (1951-52) and to investigate some of the early life drawings and photographs made by his wife Joan Moore. ",

keywords = "Leno, weave, sculptural",

author = "Nicola Redmore",

year = "2015",

month = oct,

language = "English",

note = "Thought Positions in Sculpture ; Conference date: 16-10-2015 Through 09-01-2016",

url = "https://research.hud.ac.uk/institutes-centres/ceada/ourprojects/thoughtpositionsinsculpture/",

}

TY - ADVS

T1 - Mesh

T2 - Thought Positions in Sculpture

A2 - Redmore, Nicola

PY - 2015/10

Y1 - 2015/10

N2 - This work was created in response Tate’s digitized archive collection of Kenneth Armitage and specifically in response to a notebook which contains records of works by Kenneth Armitage between 1957 and 1960. Access to the Leeds Sculpture Collection and archival materials at the Henry Moore Institute also provided an opportunity to examine the maquettes Armitage created for his Standing Group series (1951-52) and to investigate some of the early life drawings and photographs made by his wife Joan Moore.

AB - This work was created in response Tate’s digitized archive collection of Kenneth Armitage and specifically in response to a notebook which contains records of works by Kenneth Armitage between 1957 and 1960. Access to the Leeds Sculpture Collection and archival materials at the Henry Moore Institute also provided an opportunity to examine the maquettes Armitage created for his Standing Group series (1951-52) and to investigate some of the early life drawings and photographs made by his wife Joan Moore.

KW - Leno

KW - weave

KW - sculptural

UR - https://research.hud.ac.uk/institutes-centres/st/thoughtpositionsinsculpture/nicolaredmore/#/nicola-redmore-i

UR - http://eprints.hud.ac.uk/id/eprint/27208/

M3 - Exhibition

Y2 - 16 October 2015 through 9 January 2016

ER -

Mesh: Thought Positions in Sculpture

Abstract

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Thought positions in Sculpture

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