TY - JOUR
T1 - Multichannel 3D Microphone Arrays
T2 - A Review
AU - Lee, Hyunkook
N1 - Funding Information:
This work was supported by the University of Hudders-field (Grant ref: URF510-01) and Innovate UK (Grant ref: 105175).
Publisher Copyright:
© 2021 Audio Engineering Society. All rights reserved.
Copyright:
Copyright 2021 Elsevier B.V., All rights reserved.
PY - 2021/2/19
Y1 - 2021/2/19
N2 - Along with the recent advance of multichannel 3D audio technologies, a number of new microphone techniques for 3D sound recording have been proposed over the years. To choose a technique that is most suitable for the intended goal of a recording, it is first necessary to understand the design principles, pros, and cons of different techniques. This paper first categorizes existing 3D microphone arrays according to their physical configurations, design philosophies, and purposes, followed by an overview of each array. Studies that have subjectively or objectively evaluated different microphone arrays are also reviewed. Different approaches in the configuration of upper microphone layer are discussed, aiming to provide theoretical and practical insights into how they can contribute to creating an immersive auditory experience. Finally, limitations of previous studies and future research topics in 3D sound recording are identified.
AB - Along with the recent advance of multichannel 3D audio technologies, a number of new microphone techniques for 3D sound recording have been proposed over the years. To choose a technique that is most suitable for the intended goal of a recording, it is first necessary to understand the design principles, pros, and cons of different techniques. This paper first categorizes existing 3D microphone arrays according to their physical configurations, design philosophies, and purposes, followed by an overview of each array. Studies that have subjectively or objectively evaluated different microphone arrays are also reviewed. Different approaches in the configuration of upper microphone layer are discussed, aiming to provide theoretical and practical insights into how they can contribute to creating an immersive auditory experience. Finally, limitations of previous studies and future research topics in 3D sound recording are identified.
KW - Multichannel 3D Microphone Arrays
KW - (3D) audio technologies
KW - 3D acoustic sound recording
UR - http://www.scopus.com/inward/record.url?scp=85102611606&partnerID=8YFLogxK
U2 - 10.17743/jaes.2020.0069
DO - 10.17743/jaes.2020.0069
M3 - Review article
VL - 69
SP - 5
EP - 26
JO - AES: Journal of the Audio Engineering Society
JF - AES: Journal of the Audio Engineering Society
SN - 0004-7554
IS - 1/2
ER -