No merge conflicts

Gerard Roma

No merge conflicts

Gerard Roma

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

No merge conflicts is a participatory performance based on web audio technologies. Participants use their smartphones to access a synthesizer that produces audiovisual signals following touch and accelerometer gestures. An artificial agent character selects and evolves the audience patterns into an audiovisual algorithmic composition played through the sound system and projector.

Original language	English
Title of host publication	Proceedings of the International Web Audio Conference
Editors	Jan Monschke, Christoph Guttandin, Norbert Schnell, Thomas Jenkinson, Jack Schaedler
Place of Publication	Berlin
Publisher	TU Berlin
Publication status	Published - 1 Sept 2018
Event	4th International Web Audio Conference - Technische Universität Berlin, Berlin, Germany Duration: 19 Sept 2018 → 21 Sept 2018 Conference number: 4

Publication series

Name	WAC Proceedings
Volume	2018
ISSN (Print)	2663-5844

Conference

Conference	4th International Web Audio Conference
Country/Territory	Germany
City	Berlin
Period	19/09/18 → 21/09/18

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 9 Industry, Innovation, and Infrastructure

Access to Document

https://webaudioconf.com/posts/2018_vid11/Licence: Unspecified

Cite this

@inproceedings{05b4e13faec44fdca09f881633a2bf91,

title = "No merge conflicts",

abstract = "No merge conflicts is a participatory performance based on web audio technologies. Participants use their smartphones to access a synthesizer that produces audiovisual signals following touch and accelerometer gestures. An artificial agent character selects and evolves the audience patterns into an audiovisual algorithmic composition played through the sound system and projector.",

keywords = "participatory performance, audiovisual, algorithms, audiovisual algorithmic composition, web audio technologies",

author = "Gerard Roma",

year = "2018",

month = sep,

day = "1",

language = "English",

series = "WAC Proceedings",

publisher = "TU Berlin",

editor = "Jan Monschke and Christoph Guttandin and Norbert Schnell and Thomas Jenkinson and Jack Schaedler",

booktitle = "Proceedings of the International Web Audio Conference",

address = "Germany",

note = "4th International Web Audio Conference ; Conference date: 19-09-2018 Through 21-09-2018",

}

TY - GEN

T1 - No merge conflicts

AU - Roma, Gerard

N1 - Conference code: 4

PY - 2018/9/1

Y1 - 2018/9/1

N2 - No merge conflicts is a participatory performance based on web audio technologies. Participants use their smartphones to access a synthesizer that produces audiovisual signals following touch and accelerometer gestures. An artificial agent character selects and evolves the audience patterns into an audiovisual algorithmic composition played through the sound system and projector.

AB - No merge conflicts is a participatory performance based on web audio technologies. Participants use their smartphones to access a synthesizer that produces audiovisual signals following touch and accelerometer gestures. An artificial agent character selects and evolves the audience patterns into an audiovisual algorithmic composition played through the sound system and projector.

KW - participatory performance

KW - audiovisual

KW - algorithms

KW - audiovisual algorithmic composition

KW - web audio technologies

UR - https://webaudioconf.com/proceedings/

M3 - Conference contribution

T3 - WAC Proceedings

BT - Proceedings of the International Web Audio Conference

A2 - Monschke, Jan

A2 - Guttandin, Christoph

A2 - Schnell, Norbert

A2 - Jenkinson, Thomas

A2 - Schaedler, Jack

PB - TU Berlin

CY - Berlin

T2 - 4th International Web Audio Conference

Y2 - 19 September 2018 through 21 September 2018

ER -

No merge conflicts

Abstract

Publication series

Conference

UN SDGs

Access to Document

Other files and links

Fingerprint

User-independent Accelerometer Gesture Recognition for Participatory Mobile Music

Cite this