“Non è sì denso velo”: Hidden and Forbidden Practice in Wert’s Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586)

Laurie Stras

doi:10.4324/9781315580203

“Non è sì denso velo”: Hidden and Forbidden Practice in Wert’s Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586)

Laurie Stras

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

I am grateful to the participants at the Eros and Euterpe conference, and to Craig Monson and Tim Carter for their comments on a previous version of this essay. As ever, my most particular thanks go to the members of Musica Secreta-past, present, and of blessed memory-whose collective contribution to my understanding of this repertory in performance has been beyond value.

Original language	English
Title of host publication	Eroticism in Early Modern Music
Editors	Bonnie J. Blackburn, Laurie Stras
Place of Publication	Abingdon & New York
Publisher	Routledge
Chapter	6
Pages	143-174
Number of pages	32
Edition	1st
ISBN (Electronic)	9781317141730, 9781315580203
ISBN (Print)	9781472443335, 9780815365594
DOIs	https://doi.org/10.4324/9781315580203
Publication status	Published - 28 Mar 2015
Externally published	Yes

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“Non è sì denso velo” : Hidden and Forbidden Practice in Wert’s Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586). / Stras, Laurie.

Eroticism in Early Modern Music. ed. / Bonnie J. Blackburn; Laurie Stras. 1st. ed. Abingdon & New York : Routledge, 2015. p. 143-174.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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“Non è sì denso velo”: Hidden and Forbidden Practice in Wert’s Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586)

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