Objective profiling of perceived punch and clarity in produced music

Steven Fenton, Jonathan Wakefield

Research output: Chapter in Book/Report/Conference proceedingConference contribution

6 Citations (Scopus)

Abstract

This paper describes and evaluates an objective measurement that profiles a complex musical signal over time in terms of identification of dynamic content and overall perceived quality. The authors have previously identified a potential correlation between inter-band dynamics and the subjective quality of produced music excerpts. This paper describes the previously presented Inter-Band Relationship (IBR) descriptor and extends this work by conducting more thorough testing of its relationship to perceived punch and clarity over varying time resolutions. A degree of correlation is observed between subjective test scores and the objective IBR descriptor suggesting it could be used as an additional model output variable (MOV) to describe punch and clarity with a piece of music. Limitations have been identified in the measure however and further consideration is required with regards to the choice of threshold adopted based on the range of dynamics detected within the musical extract and the possible inclusion of a gate as utilised in some loudness algorithms.

Original languageEnglish
Title of host publication132nd Audio Engineering Society Convention 2012
Pages587-601
Number of pages15
Publication statusPublished - 2012
Event132nd Audio Engineering Society Convention - Budapest, Hungary
Duration: 26 Apr 201229 Apr 2012
Conference number: 132
http://www.aes.org/events/132/ (Link to Event Details )

Conference

Conference132nd Audio Engineering Society Convention
Abbreviated titleAES
CountryHungary
CityBudapest
Period26/04/1229/04/12
Internet address

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  • Cite this

    Fenton, S., & Wakefield, J. (2012). Objective profiling of perceived punch and clarity in produced music. In 132nd Audio Engineering Society Convention 2012 (pp. 587-601)