Abstract
This chapter reflects on the popular protests that became collectively known as the Occupy movements and emerged as a response to the global financial crisis of 2008. Photographic technologies of capture, manipulation and dissemination have become increasingly ubiquitous, operating within and across a plethora of different discourses, from eye witnessing of events to the construction of identity. A particular moment that exemplifies the importance of images for making dissensus visible within the Occupy movement occurred on 18 November 2011, when police officer Lieutenant John Pike pepper-sprayed student protesters at a sit down protest on the University of California's Davis Campus. The footage and subsequent images that emerged from this event show a single line of students sat on the ground linking arms while Lieutenant Pike casually walks up and down the line spraying them with a large canister of 'weapons grade' pepper spray.
Original language | English |
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Title of host publication | Photography Reframed |
Subtitle of host publication | New Visions in Contemporary Photographic Culture |
Editors | Benedict Burbridge, Annabella Pollen |
Publisher | I.B. Tauris |
Chapter | 23 |
Pages | 215-224 |
Number of pages | 10 |
Edition | 1st |
ISBN (Electronic) | 9781786724335, 9781786734334, 9781788315838 , 9781784538835, 9781003103806 |
ISBN (Print) | 9781784538828, 9781350137745 |
DOIs | |
Publication status | Published - 30 Jul 2018 |
Publication series
Name | International Library of Visual Culture |
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Publisher | Bloomsbury Publishing |
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Dive into the research topics of 'Occupy the Image'. Together they form a unique fingerprint.Profiles
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Liam Devlin
- School of Arts and Humanities
- Centre for Cultural Ecologies in Art, Design and Architecture
- Department of Media, Humanities and the Arts - School Director of Recruitment
Person: Academic