One, 2, 3

Jenna Collins

One, 2, 3

Research output: Book/Report › Book

Abstract

Exploiting forms that traditionally get burnt up in the production of the moving image, Jenna Collins' One, 2, 3 moves through sequences of writing that dramatize the small but necessary acts of theft and invention that shape a story in its telling. In this case, one that navigates the legacy of a dead female writer and the task of being a living artist.

Original language	English
Place of Publication	London
Publisher	JOAN Publishing
Number of pages	72
Volume	1
Edition	1
ISBN (Print)	9781999327620
Publication status	Published - 1 Dec 2021

Access to Document

https://joanpublishing.org/Jenna-CollinsLicence: Unspecified

Joan Publishing: Sam Cottington, Jenna Collins, and Paul Becker
Jenna Collins (Speaker)
12 Jul 2022
Activity: Talk or presentation types › Invited talk

Cite this

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title = "One, 2, 3",

abstract = "Exploiting forms that traditionally get burnt up in the production of the moving image, Jenna Collins' One, 2, 3 moves through sequences of writing that dramatize the small but necessary acts of theft and invention that shape a story in its telling. In this case, one that navigates the legacy of a dead female writer and the task of being a living artist.",

keywords = "Art writing, Pier Paolo Pasolini, Ingmar Bergman, Moving Image, screenplay",

author = "Jenna Collins",

note = "JOAN is an independent publisher of contemporary interdisciplinary writing, supporting feminist, queer, and idiosyncratic voices, and innovative fictions.",

year = "2021",

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N1 - JOAN is an independent publisher of contemporary interdisciplinary writing, supporting feminist, queer, and idiosyncratic voices, and innovative fictions.

PY - 2021/12/1

Y1 - 2021/12/1

N2 - Exploiting forms that traditionally get burnt up in the production of the moving image, Jenna Collins' One, 2, 3 moves through sequences of writing that dramatize the small but necessary acts of theft and invention that shape a story in its telling. In this case, one that navigates the legacy of a dead female writer and the task of being a living artist.

AB - Exploiting forms that traditionally get burnt up in the production of the moving image, Jenna Collins' One, 2, 3 moves through sequences of writing that dramatize the small but necessary acts of theft and invention that shape a story in its telling. In this case, one that navigates the legacy of a dead female writer and the task of being a living artist.

KW - Art writing

KW - Pier Paolo Pasolini

KW - Ingmar Bergman

KW - Moving Image

KW - screenplay

M3 - Book

SN - 9781999327620

VL - 1

BT - One, 2, 3

PB - JOAN Publishing

CY - London

ER -

One, 2, 3

Abstract

Access to Document

Activities

Joan Publishing: Sam Cottington, Jenna Collins, and Paul Becker

Cite this