Abstract
An examination of the culture of post-mortem liturgical provision in late medieval England, focusing on London and on the posthumous bequests of Sir Hugh and Dame Alice Wiche.
| Original language | English |
|---|---|
| Title of host publication | Performance, Ceremony and Display in Late Medieval England |
| Subtitle of host publication | Proceedings of the 2018 Harlaxton Symposium |
| Editors | Julia Boffey |
| Place of Publication | Donington |
| Publisher | Shaun Tyas |
| Pages | 212-235 |
| Number of pages | 24 |
| Publication status | Published - 11 Aug 2020 |
| Event | The 2018 Harlaxton Medieval Symposium: Performance, Ceremony and Display in Late Medieval Britain - Higham Ferrers, United Kingdom Duration: 17 Jul 2018 → 20 Jul 2018 http://harlaxton.org.uk/ |
Publication series
| Name | Harlaxton Medieval Studies |
|---|---|
| Publisher | Shaun Tyas |
| Volume | XXX |
Conference
| Conference | The 2018 Harlaxton Medieval Symposium |
|---|---|
| Country | United Kingdom |
| City | Higham Ferrers |
| Period | 17/07/18 → 20/07/18 |
| Internet address |
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Cite this
Colton, L. (2020). Performance Piety: The Value of Post-Mortem Music and Liturgical Display in Fifteenth-Century London. In J. Boffey (Ed.), Performance, Ceremony and Display in Late Medieval England: Proceedings of the 2018 Harlaxton Symposium (pp. 212-235). (Harlaxton Medieval Studies; Vol. XXX). Shaun Tyas.