Post-Acousmatic Practice: Re-evaluating Schaeffer's heritage

Research output: Contribution to journalArticle

1 Citation (Scopus)

Abstract

This article posits the notion of the post-acousmatic. It considers the work of contemporary practitioners who are indebted to the Schaefferian heritage, but pursue alternative trajectories from the established canonical discourse of acousmatic music. It will outline the authors' definition of the term and also outline a network of elements such as time, rhythm, pitch, dynamics, noise and performance to discuss work that the authors' consider to be a critique, an augmentation and an outgrowth of acousmatic music and thinking.

LanguageEnglish
Pages106-116
Number of pages11
JournalOrganised Sound
Volume21
Issue number2
DOIs
Publication statusPublished - 1 Aug 2016

Fingerprint

Trajectories
Acousmatic
Heritage
Music
Discourse
Augmentation
Trajectory
Rhythm

Cite this

@article{4195257db5b64996be451973e559eef2,
title = "Post-Acousmatic Practice: Re-evaluating Schaeffer's heritage",
abstract = "This article posits the notion of the post-acousmatic. It considers the work of contemporary practitioners who are indebted to the Schaefferian heritage, but pursue alternative trajectories from the established canonical discourse of acousmatic music. It will outline the authors' definition of the term and also outline a network of elements such as time, rhythm, pitch, dynamics, noise and performance to discuss work that the authors' consider to be a critique, an augmentation and an outgrowth of acousmatic music and thinking.",
author = "Monty Adkins and Richard Scott and Tremblay, {Pierre Alexandre}",
note = "No accepted date. HN 27/10/2017",
year = "2016",
month = "8",
day = "1",
doi = "10.1017/S1355771816000030",
language = "English",
volume = "21",
pages = "106--116",
journal = "Organised Sound",
issn = "1355-7718",
publisher = "Cambridge University Press",
number = "2",

}

Post-Acousmatic Practice : Re-evaluating Schaeffer's heritage. / Adkins, Monty; Scott, Richard; Tremblay, Pierre Alexandre.

In: Organised Sound, Vol. 21, No. 2, 01.08.2016, p. 106-116.

Research output: Contribution to journalArticle

TY - JOUR

T1 - Post-Acousmatic Practice

T2 - Organised Sound

AU - Adkins, Monty

AU - Scott, Richard

AU - Tremblay, Pierre Alexandre

N1 - No accepted date. HN 27/10/2017

PY - 2016/8/1

Y1 - 2016/8/1

N2 - This article posits the notion of the post-acousmatic. It considers the work of contemporary practitioners who are indebted to the Schaefferian heritage, but pursue alternative trajectories from the established canonical discourse of acousmatic music. It will outline the authors' definition of the term and also outline a network of elements such as time, rhythm, pitch, dynamics, noise and performance to discuss work that the authors' consider to be a critique, an augmentation and an outgrowth of acousmatic music and thinking.

AB - This article posits the notion of the post-acousmatic. It considers the work of contemporary practitioners who are indebted to the Schaefferian heritage, but pursue alternative trajectories from the established canonical discourse of acousmatic music. It will outline the authors' definition of the term and also outline a network of elements such as time, rhythm, pitch, dynamics, noise and performance to discuss work that the authors' consider to be a critique, an augmentation and an outgrowth of acousmatic music and thinking.

UR - http://www.scopus.com/inward/record.url?scp=84976867147&partnerID=8YFLogxK

U2 - 10.1017/S1355771816000030

DO - 10.1017/S1355771816000030

M3 - Article

VL - 21

SP - 106

EP - 116

JO - Organised Sound

JF - Organised Sound

SN - 1355-7718

IS - 2

ER -