Abstract
| Language | English |
|---|---|
| Title of host publication | Women in Twentieth-Century Britain |
| Subtitle of host publication | Social, Cultural and Political Change |
| Editors | Ina Zweiniger-Bargielowska |
| Place of Publication | Harlow |
| Publisher | Routledge |
| Chapter | 19 |
| Pages | 292-306 |
| Number of pages | 15 |
| Edition | 1 |
| ISBN (Electronic) | 9781317876922, 9781315838458 |
| ISBN (Print) | 9781138148093, 9780582404809 |
| DOIs | |
| Publication status | Published - 2001 |
| Externally published | Yes |
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'Race', Ethnicity and National Identity. / Webster, Wendy.
Women in Twentieth-Century Britain: Social, Cultural and Political Change. ed. / Ina Zweiniger-Bargielowska. 1. ed. Harlow : Routledge, 2001. p. 292-306.Research output: Chapter in Book/Report/Conference proceeding › Chapter
TY - CHAP
T1 - 'Race', Ethnicity and National Identity
AU - Webster, Wendy
PY - 2001
Y1 - 2001
N2 - The opening of Jackie Kay's poem, 'So You Think I'm a Mule?' , brings into sharp focus white perceptions of race in the late twentieth century from the perspective of a black woman. The opening gambit - 'where do you come from?' - shows the white woman's view that the black woman is not British, let alone Glaswegian, someone who belongs - if at all - elsewhere. In the first half of the twentieth century this 'elsewhere' was generally seen as an empire under British colonial rule, where black people were safely contained and controlled. In the 1950s and 1960s, when the colonial encounter was reversed through black and South Asian migration to Britain, 'coloured immigrants' were seen as a threat to Britishness. The pattern of familial imagery used in an imperial context - where Britain was the 'mother country' , and the king was the father of a family which extended throughout the empire - was reversed as 'immigrants' were represented as 'dark strangers'. In twentieth-century mainstream media, the black woman was most likely to be represented as British when she was standing on an Olympic podium, receiving a gold medal.
AB - The opening of Jackie Kay's poem, 'So You Think I'm a Mule?' , brings into sharp focus white perceptions of race in the late twentieth century from the perspective of a black woman. The opening gambit - 'where do you come from?' - shows the white woman's view that the black woman is not British, let alone Glaswegian, someone who belongs - if at all - elsewhere. In the first half of the twentieth century this 'elsewhere' was generally seen as an empire under British colonial rule, where black people were safely contained and controlled. In the 1950s and 1960s, when the colonial encounter was reversed through black and South Asian migration to Britain, 'coloured immigrants' were seen as a threat to Britishness. The pattern of familial imagery used in an imperial context - where Britain was the 'mother country' , and the king was the father of a family which extended throughout the empire - was reversed as 'immigrants' were represented as 'dark strangers'. In twentieth-century mainstream media, the black woman was most likely to be represented as British when she was standing on an Olympic podium, receiving a gold medal.
UR - http://www.scopus.com/inward/record.url?scp=85069291705&partnerID=8YFLogxK
U2 - 10.4324/9781315838458
DO - 10.4324/9781315838458
M3 - Chapter
SN - 9781138148093
SN - 9780582404809
SP - 292
EP - 306
BT - Women in Twentieth-Century Britain
A2 - Zweiniger-Bargielowska, Ina
PB - Routledge
CY - Harlow
ER -