Reinventing Harmony in Splintered Echoes (2014)

Paulina Sundin, Monty Adkins

Research output: Contribution to journalArticlepeer-review


This paper discusses the new harmonic possibilities enabled through the implementation of Sethares’ theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).
Original languageEnglish
JournalDivergence Press
Issue number4
Publication statusPublished - 2 Feb 2015


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