Reinventing Harmony in Splintered Echoes (2014)

Paulina Sundin, Monty Adkins

    Research output: Contribution to journalArticlepeer-review


    This paper discusses the new harmonic possibilities enabled through the implementation of Sethares’ theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).
    Original languageEnglish
    JournalDivergence Press
    Issue number4
    Publication statusPublished - 2 Feb 2015


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