Reinventing Harmony in Splintered Echoes (2014)

Paulina Sundin; Monty Adkins

doi:10.5920/divp.2015.46

Reinventing Harmony in Splintered Echoes (2014)

Research output: Contribution to journal › Article › peer-review

Abstract

This paper discusses the new harmonic possibilities enabled through the implementation of Sethares’ theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).

Original language	English
Journal	Divergence Press
Volume	4
Issue number	4
DOIs	https://doi.org/10.5920/divp.2015.46
Publication status	Published - 2 Feb 2015

Access to Document

10.5920/divp.2015.46Licence: CC BY-NC-ND

2 Composition
1 Article

Rondures
Adkins, M. & Sundin, P. E., 2017
Research output: Non-textual form › Composition
Editorial: Beyond Pythagoras
Adkins, M., 2015, In: Divergence Press. 4
Research output: Contribution to journal › Article › peer-review
Emergence: for saxophone quartet and electronics
Adkins, M. & Sundin, P. E., 2015
Research output: Non-textual form › Composition

Cite this

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title = "Reinventing Harmony in Splintered Echoes (2014)",

abstract = "This paper discusses the new harmonic possibilities enabled through the implementation of Sethares{\textquoteright} theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).",

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KW - Percussion

KW - Scales

KW - Sethares

KW - Spectrum

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Reinventing Harmony in Splintered Echoes (2014)

Abstract

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Research output

Rondures

Editorial: Beyond Pythagoras

Emergence: for saxophone quartet and electronics

Cite this