Reinventing Harmony in Splintered Echoes (2014)

Paulina Sundin, Monty Adkins

    Research output: Contribution to journalArticlepeer-review

    Abstract

    This paper discusses the new harmonic possibilities enabled through the implementation of Sethares’ theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).
    Original languageEnglish
    JournalDivergence Press
    Volume4
    Issue number4
    DOIs
    Publication statusPublished - 2 Feb 2015

    Fingerprint

    Dive into the research topics of 'Reinventing Harmony in Splintered Echoes (2014)'. Together they form a unique fingerprint.

    Cite this