Abstract
This paper discusses the new harmonic possibilities enabled through the implementation of Sethares’ theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).
| Original language | English |
|---|---|
| No. | 4 |
| Specialist publication | Divergence Press |
| Publication status | Published - 2 Feb 2015 |
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Rondures
Adkins, M. (Composer) & Sundin, P. E. (Composer), 2017Research output: Non-textual form › Composition
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Editorial: Beyond Pythagoras
Adkins, M., 2015, Divergence Press, 4.Research output: Contribution to specialist publication › Article
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Emergence: for saxophone quartet and electronics
Adkins, M. (Composer) & Sundin, P. E. (Composer), 2015Research output: Non-textual form › Composition
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