Rethinking Black Art as a Category of Experience

Research output: Contribution to journalArticle

Abstract

Black art was a widely used category in the late 1970s and 1980s to describe the artwork of British people of South Asian, African or African-Caribbean descent. There are numerous problems associated with the collective labelling of such a group, not least because of the lack of stability as to what the term refers. This article addresses the inherent problems with this category and proffers alternative ways of thinking about Black art in terms that encompass broader identity issues. The concept of diaspora aesthetics, for instance, is presented as a more satisfactory alternative that resists the claim that culture develops along ‘ethnically absolute lines’, to use a phrase by Paul Gilroy, and instead encompasses the lived realities of identity positions as well as the heterogeneity of cultural experience.

Original languageEnglish
Pages (from-to)163-175
Number of pages13
JournalVisual Culture in Britain
Volume18
Issue number2
Early online date2 Jun 2017
DOIs
Publication statusPublished - 2017
Externally publishedYes

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Labeling
art
diaspora
aesthetics
experience
lack
Group
Black Art
Africa
British People
1980s
Artwork
Aesthetics
Diaspora
Descent
1970s
Asia

Cite this

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Rethinking Black Art as a Category of Experience. / Arya, Rina.

In: Visual Culture in Britain, Vol. 18, No. 2, 2017, p. 163-175.

Research output: Contribution to journalArticle

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