Abstract
An experiment in using digital technology to recreate some of the analogue techniques used by Karlheinz Stockhausen in Kontakte has been undertaken. Recently it has become possible to perform these techniques in real-time. These experiments lead to a consideration of computer music's relationship with its history, the significance of interaction and intuition in the studio, and the role of performance of electroacoustic music.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of International Computer Music Conference, ICMC 1999 |
| Publisher | International Computer Music Association |
| Pages | 535-537 |
| Number of pages | 3 |
| Volume | 1999 |
| Publication status | Published - 22 Oct 1999 |
| Event | 25th International Computer Music Conference - Beijing, China Duration: 22 Oct 1999 → 27 Oct 1999 Conference number: 25 |
Publication series
| Name | International Computer Music Conference, ICMC Proceedings |
|---|---|
| Publisher | University of Michigan |
| Volume | 1999 |
| ISSN (Print) | 2223-3881 |
Conference
| Conference | 25th International Computer Music Conference |
|---|---|
| Abbreviated title | ICMC 1999 |
| Country/Territory | China |
| City | Beijing |
| Period | 22/10/99 → 27/10/99 |