@book{0ab77ce8c90a431398295e12895eb256,
title = "Singing Out: The Musical Voice in Audiovisual Media",
abstract = "Exploring a broad range of singing voices and sung moments, from lavish film musical sequences, television and videogames, through to online platforms, advertising, and multimedia installation work, this book illustrates the diverse ways in which the singing voice is produced and understood in different media across international contexts, taking into consideration issues such as corporeal form, age, race, reception and gender.The act of singing emphasises issues of identity, technology and the identifying markers of the voice itself, heightening communication, acting as an aid to memory and inviting judgement. Singing demarcates and breaks down textual and conceptual boundaries, and offers an intensity of experience that gives ita special status on the soundtrack. Singing Out:The Musical Voice in Audiovisual Media contains a range of approaches to the singing voice, offering students and researchers a variety of methodological and critical tools to understand the contemporary context and importance of singing in multimedia.",
keywords = "singing, voice, vocality, music, musical, musicology, celebrity, stardom, identity, audiovisual media, cinema, videogames, ludomusicology, Stevie Nicks, Hatsune Miku, Vocaloid, autotune, Maria Callas, American Horror Story, Marina Abramovi{\'c}, Miley Cyrus",
editor = "Catherine Haworth and Beth Carroll",
year = "2025",
month = mar,
day = "1",
language = "English",
isbn = "9781399508209",
series = "Music and the Moving Image",
publisher = "Edinburgh University Press",
address = "United Kingdom",
}