Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation

Carsten Wernicke; Wolf-Georg Zaddach; Michael Ahlers; Jan Herbst

Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation

Translated title of the contribution: Songwriting camps: Collaborative songwriting practice between songwriting tradition and music industry transformation

Carsten Wernicke, Wolf-Georg Zaddach, Michael Ahlers, Jan Herbst

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Translated title of the contribution	Songwriting camps: Collaborative songwriting practice between songwriting tradition and music industry transformation
Original language	German
Title of host publication	Musik in der spätmodernen Gesellschaft
Subtitle of host publication	Analysen, Positionen, Perspektiven
Editors	Martin Pfleiderer, Steffen Just, Carsten Wernicke, Christofer Jost
Publisher	Waxmann Verlag GMBH
Pages	197-218
Number of pages	22
Volume	43
ISBN (Print)	9783830949572
Publication status	Published - 1 Jan 2025

Publication series

Name	Popular Culture and Music
Publisher	Waxmann
Volume	43

Cite this

Wernicke, C., Zaddach, W.-G., Ahlers, M., & Herbst, J. (2025). Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation. In M. Pfleiderer, S. Just, C. Wernicke, & C. Jost (Eds.), Musik in der spätmodernen Gesellschaft: Analysen, Positionen, Perspektiven (Vol. 43, pp. 197-218). (Popular Culture and Music; Vol. 43). Waxmann Verlag GMBH.

Wernicke, Carsten ; Zaddach, Wolf-Georg ; Ahlers, Michael et al. / Songwriting-Camps : Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation. Musik in der spätmodernen Gesellschaft: Analysen, Positionen, Perspektiven. editor / Martin Pfleiderer ; Steffen Just ; Carsten Wernicke ; Christofer Jost. Vol. 43 Waxmann Verlag GMBH, 2025. pp. 197-218 (Popular Culture and Music).

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Wernicke, C, Zaddach, W-G, Ahlers, M & Herbst, J 2025, Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation. in M Pfleiderer, S Just, C Wernicke & C Jost (eds), Musik in der spätmodernen Gesellschaft: Analysen, Positionen, Perspektiven. vol. 43, Popular Culture and Music, vol. 43, Waxmann Verlag GMBH, pp. 197-218.

Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation. / Wernicke, Carsten; Zaddach, Wolf-Georg; Ahlers, Michael et al.
Musik in der spätmodernen Gesellschaft: Analysen, Positionen, Perspektiven. ed. / Martin Pfleiderer; Steffen Just; Carsten Wernicke; Christofer Jost. Vol. 43 Waxmann Verlag GMBH, 2025. p. 197-218 (Popular Culture and Music; Vol. 43).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

TY - CHAP

T1 - Songwriting-Camps

T2 - Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation

AU - Wernicke, Carsten

AU - Zaddach, Wolf-Georg

AU - Ahlers, Michael

AU - Herbst, Jan

PY - 2025/1/1

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KW - songwriting camps

KW - popular music

KW - recording

KW - music production

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M3 - Chapter

SN - 9783830949572

VL - 43

T3 - Popular Culture and Music

SP - 197

EP - 218

BT - Musik in der spätmodernen Gesellschaft

A2 - Pfleiderer, Martin

A2 - Just, Steffen

A2 - Wernicke, Carsten

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PB - Waxmann Verlag GMBH

ER -

Wernicke C, Zaddach WG, Ahlers M, Herbst J. Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation. In Pfleiderer M, Just S, Wernicke C, Jost C, editors, Musik in der spätmodernen Gesellschaft: Analysen, Positionen, Perspektiven. Vol. 43. Waxmann Verlag GMBH. 2025. p. 197-218. (Popular Culture and Music).

Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation

Publication series

Other files and links

Preface: Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice

Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice

The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement

Songwriting Camps: Geschichte, Theorien und Forschungsansätze zur Fließband-Produktion von populärer Musik

‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age

SC21: Songwriting Camps in the 21st Century

Cite this

Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation

Publication series

Other files and links

Research output

Preface: Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice

Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice

The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement

Songwriting Camps: Geschichte, Theorien und Forschungsansätze zur Fließband-Produktion von populärer Musik

‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age

Projects

SC21: Songwriting Camps in the 21st Century

Cite this