Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena

Andrew Bourbon; Simon Zagorski-Thomas

Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena

Andrew Bourbon, Simon Zagorski-Thomas

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

The history of recording is often characterized as a history
of improving audio quality whereas the notion of sonic
cartoons requires us to re-think it as a history of clarity
and the creation of schematic representations. Using the
ecological approach to perception and embodied
cognition, we will consider the invariant properties of
various acoustic phenomena as a way of developing a
range of strategies for semantic audio processing. In this
context, semantic audio processing refers to plug-ins that
utilize semantic descriptors to control multiple parameters.
An example of this might be Waves’ Tony Maserati
Signature Series which provide controls with labels such
as ‘thump’ and ‘snap’. The notion of sonic cartoons
provides a framework for a much more nuanced
application of this approach.

Original language	English
Title of host publication	Proceedings of the 2nd AES Workshop on Intelligent Music Production
Number of pages	2
Publication status	Published - 13 Sep 2016
Externally published	Yes
Event	The 2nd Audio Engineering Society Workshop on Intelligent Music Production - Charterhouse Square , London, United Kingdom Duration: 13 Sep 2016 → 13 Sep 2016 Conference number: 2 http://www.aes-uk.org/forthcoming-meetings/wimp2/ (Link to Conference Details)

Conference

Conference	The 2nd Audio Engineering Society Workshop on Intelligent Music Production
Abbreviated title	AES
Country/Territory	United Kingdom
City	London
Period	13/09/16 → 13/09/16
Internet address	http://www.aes-uk.org/forthcoming-meetings/wimp2/ (Link to Conference Details)

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http://c4dm.eecs.qmul.ac.uk/events/wimp2/Bourbon.pdfLicence: CC BY

Cite this

@inproceedings{bde29f34d9b64ce2bcc8a87373383c9d,

title = "Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena",

abstract = "The history of recording is often characterized as a historyof improving audio quality whereas the notion of soniccartoons requires us to re-think it as a history of clarityand the creation of schematic representations. Using theecological approach to perception and embodiedcognition, we will consider the invariant properties ofvarious acoustic phenomena as a way of developing arange of strategies for semantic audio processing. In thiscontext, semantic audio processing refers to plug-ins thatutilize semantic descriptors to control multiple parameters.An example of this might be Waves{\textquoteright} Tony MaseratiSignature Series which provide controls with labels suchas {\textquoteleft}thump{\textquoteright} and {\textquoteleft}snap{\textquoteright}. The notion of sonic cartoonsprovides a framework for a much more nuancedapplication of this approach.",

author = "Andrew Bourbon and Simon Zagorski-Thomas",

year = "2016",

month = sep,

day = "13",

language = "English",

booktitle = "Proceedings of the 2nd AES Workshop on Intelligent Music Production",

note = "The 2nd Audio Engineering Society Workshop on Intelligent Music Production, AES ; Conference date: 13-09-2016 Through 13-09-2016",

url = "http://www.aes-uk.org/forthcoming-meetings/wimp2/",

}

Bourbon, A & Zagorski-Thomas, S 2016, Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena. in Proceedings of the 2nd AES Workshop on Intelligent Music Production. The 2nd Audio Engineering Society Workshop on Intelligent Music Production, London, United Kingdom, 13/09/16. <http://c4dm.eecs.qmul.ac.uk/events/wimp2/Bourbon.pdf>

TY - GEN

T1 - Sonic cartoons and semantic audio processing

T2 - The 2nd Audio Engineering Society Workshop on Intelligent Music Production

AU - Bourbon, Andrew

AU - Zagorski-Thomas, Simon

N1 - Conference code: 2

PY - 2016/9/13

Y1 - 2016/9/13

N2 - The history of recording is often characterized as a historyof improving audio quality whereas the notion of soniccartoons requires us to re-think it as a history of clarityand the creation of schematic representations. Using theecological approach to perception and embodiedcognition, we will consider the invariant properties ofvarious acoustic phenomena as a way of developing arange of strategies for semantic audio processing. In thiscontext, semantic audio processing refers to plug-ins thatutilize semantic descriptors to control multiple parameters.An example of this might be Waves’ Tony MaseratiSignature Series which provide controls with labels suchas ‘thump’ and ‘snap’. The notion of sonic cartoonsprovides a framework for a much more nuancedapplication of this approach.

AB - The history of recording is often characterized as a historyof improving audio quality whereas the notion of soniccartoons requires us to re-think it as a history of clarityand the creation of schematic representations. Using theecological approach to perception and embodiedcognition, we will consider the invariant properties ofvarious acoustic phenomena as a way of developing arange of strategies for semantic audio processing. In thiscontext, semantic audio processing refers to plug-ins thatutilize semantic descriptors to control multiple parameters.An example of this might be Waves’ Tony MaseratiSignature Series which provide controls with labels suchas ‘thump’ and ‘snap’. The notion of sonic cartoonsprovides a framework for a much more nuancedapplication of this approach.

M3 - Conference contribution

BT - Proceedings of the 2nd AES Workshop on Intelligent Music Production

Y2 - 13 September 2016 through 13 September 2016

ER -

Sonic cartoons and semantic audio processing: Using invariant properties to create schematic representations of acoustic phenomena

Abstract

Conference

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