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Sound Commitments: Avant-Garde Music and the Sixties
Robert Adlington (Editor)
University of Nottingham
Research output
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Book/Report
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Book
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peer-review
35
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Citations (Scopus)
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Arts and Humanities
Sound
100%
concert hall
100%
Italy
50%
1960s
50%
Genre
50%
Electronic music
50%
Experimental
50%
Engagement
50%
era
50%
intentions
50%
Popular Music
50%
Third World
50%
France
50%
Japan
50%
Dilemma
50%
Archival Research
50%
Decision-Making
50%
Germany
50%
Performance Art
50%
U.S.S.R.
50%
Bourgeois
50%
political upheaval
50%
Symphony Orchestra
50%
Radical Critique
50%
Keyphrases
Musicians
100%
Sixties
100%
Avant-garde music
100%
Concert Hall
50%
Italy
25%
Japan
25%
Electronic music
25%
Netherlands
25%
France
25%
Popular music
25%
Third World
25%
Social Change
25%
United States
25%
Archival Research
25%
Throwing
25%
Jazz
25%
Comprehensive Survey
25%
Geographical Location
25%
Radical Critique
25%
Significant Figures
25%
Participatory Events
25%
Government Subsidy
25%
Soviet Union
25%
Performance Art
25%
Bourgeois
25%
Political Upheaval
25%
Cultural Shift
25%
Aesthetic Experiment
25%
Position Location
25%
Social Instability
25%
Cultural Baggage
25%
Symphony Orchestra
25%
West Germany
25%
Tape music
25%