Stones: Thought Positions in Sculpture

Jill Townsley (Artist)

Research output: Non-textual formExhibition


Thought Positions in Sculpture presents ten contemporary artists who have encountered the archive through the stories of their own art practice. The physical exhibition at Huddersfield Art Gallery refers to existing works of art from Leeds Museums and Galleries Sculpture Collection, archival material from the Henry Moore Institute, digitised archival material from the Tate Gallery, audio material from the British Library and other archival sites, some of which are inventions by the artist themselves.

Intended as a starting point for thinking in, with and through the archive, the exhibition serves as a platform and context for different narratives of sculptural thinking. Over the duration of three months, conversation pieces will be generated through this website alongside the physical work on display at Huddersfield Art Gallery.

Thought Positions in Sculpture features the following artists: Brass Art are an artist collective who explore the Freud Museum house, London as an archive site for capturing uncanny resonances through digital sculptural forms. Desmond Brett explores the notion of ‘assemblage’ through the photographic archives of Eileen Agar and Paul Nash. Liadin Cooke responds to the parallels of her own sculptural thinking in relation to Geoffrey Clarke (Leeds Sculpture Collection/Henry Moore Institute archive). Sheila Gaffney stages her own thought position through the object relations she believes are in play in the evolution of twentieth century British sculpture. Juliet MacDonald addresses Henry Fehr’s memorial ‘Head of Victory’ (Leeds Sculpture Collection). Nicola Perren explores Ghisha Koenig’s drawings and sculpture works housed at the Henry Moore Institute archive and Leeds Sculpture Collection. Nicola Redmore encounters some of the plaster works of Kenneth Armitage (Leeds Sculpture Collection) and digitised archival materials from the Tate Gallery. Hester Reeve listens to the audio interviews from the ‘Artists’ Lives’ project at the British Library to address the concept of ‘sculptural substance’. Lisa Stansbie explores a series of swimming machine patents from Google to produce her own sculptures. Jill Townsley, a sculptor influenced by serialisation, engages with the processes of making an archive through the retrieval of stones from the West Yorkshire landscape.
Original languageEnglish
Publication statusPublished - 16 Oct 2015
EventThought Positions in Sculpture - Huddersfield Art Gallery, Huddersfield, United Kingdom
Duration: 16 Oct 20159 Jan 2016 (Link to Exhibition Details)


Dive into the research topics of 'Stones: Thought Positions in Sculpture'. Together they form a unique fingerprint.
  • Thought positions in Sculpture

    Redmore, N., Bailey, R., Townsley, J., Macdonald, A. & MacDonald, J., 17 Nov 2017

    Research output: Non-textual formDigital or Visual Products

    Open Access

Cite this