Studio Based Composers in Collaboration: a Socioculturally Framed Study

Elizabeth Dobson, Rosie Flewitt, Karen Littleton, Dorothy Miell

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

1 Citation (Scopus)


This paper presents research from an ongoing study analyzing the co-creative practice of two undergraduate studio based music composers working with two peers from dance and video production. Whilst empirical research has explored joint creativity and group working processes within and across performing arts disciplines (including music), situations that bring undergraduate studio based composers into interdisciplinary collaborative creating have not previously been studied. Framed by a sociocultural theory of human activity, this research is looking at how creative achievement and the local social context for creative work is constituted through interaction. This paper explains the sociocultural methods used to build a sequential analysis of joint activity, presenting an extracted analysis before concluding with a summary of some early observations of the issues music technology students face when creating new work collaboratively.
Original languageEnglish
Title of host publicationProceedings of the International Computer Music Conference 2011
PublisherInternational Computer Music Association
Number of pages4
Publication statusPublished - 2011

Publication series

NameInternational Computer Music Conference Proceedings
ISSN (Electronic)2223-3881


Dive into the research topics of 'Studio Based Composers in Collaboration: a Socioculturally Framed Study'. Together they form a unique fingerprint.

Cite this