Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandboxn series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.
Original languageUndefined
Title of host publicationProceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia
PublisherNIME
Pages447-450
Number of pages4
Volume2010
Publication statusPublished - 1 Jun 2010

Cite this

Tremblay, P. A., & Schwarz, D. (2010). Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. In Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia (Vol. 2010, pp. 447-450). NIME.
Tremblay, Pierre Alexandre ; Schwarz, Diemo. / Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. Vol. 2010 NIME, 2010. pp. 447-450
@inproceedings{6caf48156843449fa25c2a76f296f443,
title = "Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface",
abstract = "In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandboxn series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.",
author = "Tremblay, {Pierre Alexandre} and Diemo Schwarz",
note = "Paper originally presented at NIME 2010, New Interfaces for Musical Expression, Sydney, Australia, 15-18th June 2010",
year = "2010",
month = "6",
day = "1",
language = "Undefined",
volume = "2010",
pages = "447--450",
booktitle = "Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia",
publisher = "NIME",

}

Tremblay, PA & Schwarz, D 2010, Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. in Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. vol. 2010, NIME, pp. 447-450.

Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. / Tremblay, Pierre Alexandre; Schwarz, Diemo.

Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. Vol. 2010 NIME, 2010. p. 447-450.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

TY - GEN

T1 - Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface

AU - Tremblay, Pierre Alexandre

AU - Schwarz, Diemo

N1 - Paper originally presented at NIME 2010, New Interfaces for Musical Expression, Sydney, Australia, 15-18th June 2010

PY - 2010/6/1

Y1 - 2010/6/1

N2 - In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandboxn series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.

AB - In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandboxn series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.

M3 - Conference contribution

VL - 2010

SP - 447

EP - 450

BT - Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia

PB - NIME

ER -

Tremblay PA, Schwarz D. Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. In Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. Vol. 2010. NIME. 2010. p. 447-450