Abstract
| Language | Undefined |
|---|---|
| Title of host publication | Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia |
| Publisher | NIME |
| Pages | 447-450 |
| Number of pages | 4 |
| Volume | 2010 |
| Publication status | Published - 1 Jun 2010 |
Cite this
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Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. / Tremblay, Pierre Alexandre; Schwarz, Diemo.
Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. Vol. 2010 NIME, 2010. p. 447-450.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
TY - GEN
T1 - Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface
AU - Tremblay, Pierre Alexandre
AU - Schwarz, Diemo
N1 - Paper originally presented at NIME 2010, New Interfaces for Musical Expression, Sydney, Australia, 15-18th June 2010
PY - 2010/6/1
Y1 - 2010/6/1
N2 - In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandboxn series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.
AB - In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandboxn series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.
M3 - Conference contribution
VL - 2010
SP - 447
EP - 450
BT - Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia
PB - NIME
ER -