@article{717da9c29bbb4170a1faf1fd0adebb79,
title = "Televising the Partition of British India: Memory, Identity and the Privatisation of the Past in 70th Anniversary Commemorative Broadcasting",
abstract = "2017 marked the 70th anniversary of the end of colonial rule in British India and of the division of the country into the two independent states of India and Pakistan. To commemorate the event, in August 2017, the BBC broadcast a series of programmes focused specifically on Partition. Focusing on My Family, Partition and Me: India 1947, this article analyses the programme{\textquoteright}s structure and rhetorical strategies, with particular reference to its representation of the empire and of contemporary postcolonial Britain. We argue that the show, by merging personal and national histories, successfully promotes an inclusive perspective on Britishness, in line with the BBC{\textquoteright}s inclusivity remit, which also emphasises the multicultural character of Britain as a result of its colonial history. The emphasis on individualised account of suffering and resilience, however, leaves Partition circumscribed within the {\textquoteleft}temporary madness{\textquoteright} narrative, thus limiting the show{\textquoteright}s engagement with the politics of colonialism and decolonisation.",
keywords = "BBC, emotions, empire, memory, Partition, public service broadcasting",
author = "Clelia Clini and Jasmine Hornabrook and Emily Keightley",
note = "Funding Information: This research is part of a five-year project on cultural memories of Partition funded by the Leverhulme Trust. Launched in October 2017, the project explores the circulation of memories of Partition, decolonisation and migration within British Asian communities in London and Loughborough. In particular, we investigate how these memories have {\textquoteleft}descended{\textquoteright} into the everyday experiences of people of South Asian heritage in the UK, how processes of remembering (and forgetting) Partition, decolonisation and the empire inform the negotiation of British Asian identities and the (re)construction and maintenance of communities, and the role of media in the transmission of these memories. Our empirical work includes a qualitative analysis of the full sample of BBC television output on Partition in 2017 from which we draw this case study, and a four-year participant observation with different British Asian community groups, with whom we also organise focus groups and in-depth conversations around the research themes and arts-based activities including film screenings which act as entry points into discussions of postcolonial memory. Publisher Copyright: {\textcopyright} 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.",
year = "2022",
month = oct,
day = "1",
doi = "10.1080/13688804.2021.1958672",
language = "English",
volume = "28",
pages = "543--559",
journal = "Media History",
issn = "1368-8804",
publisher = "Taylor and Francis Ltd.",
number = "4",
}